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Mostrando entradas con la etiqueta museos. Mostrar todas las entradas

sábado, 31 de enero de 2026

Internationalization in Early Chinese Industrialization (1840s-1911): Representations and Perceptions in the Museum

Artículo

Autor: Cano Sanchiz, J. M.; Zhang, R.; Long, L.

Revista: Museum & Society

Número: 23.2

Año: 2025

Páginas: 54-75

 

Fig. 1: Rotatory kilns of the Chee Hsin Cement Factory in Tangshan.


ABSTRACT: This paper discusses how industrial museums within the People’s Republic of China represent the international interferences and influences that characterised the first stages of China’s modern industrialization. In terms of methodology, this is a cross-disciplinary exercise that combines museum studies and discourse analysis to examine seven case studies. The investigation is developed on two levels: on the one hand, the production and delivery of narratives about the role of international factors in Chinese industrialization during the Late Qing dynasty (1840s-1911); on the other, the reception of such narratives by national and international audiences. The study concludes that the museums’ narratives of early internationalization are heterogeneous and present nuances depending on the institutions that produce them and the countries involved. Our results also evidence that visitors do not interact significantly with these narratives. Nevertheless, these narratives can still be understood as playing an important role in how Chinese industrial museums present and define China as a modern nation. 

KEYWORDS: industrial museums, Chinese industrial history, colonization, westernization.


FULL TEXT HERE


sábado, 14 de diciembre de 2024

The Ecological Turn of Industrial Museums: A Comparative Analysis Britain-China

 Artículo

Autores: Li, J.; Cano Sanchiz, J.M.

Revista: Diferents. Revista de Museus

Páginas: 26-45

Número: 9

Año: 2024

 

Fig. 2: Recycled industrial spaces in Shenyang Industrial Museum

ABSTRACT: Museums are undergoing an ecological turn aligned with current global strategies for sustainable development. This shift is also occurring in the industrial museum/heritage sector, notably in Britain and other Western countries, where new environmental concerns and actions are reshaping the way in which the industrial past is represented and used. In this paper, we analyse how this approach is developing in China. To do so, we take the British experience as a model and combine quantitative and qualitative analyses to study five British and four Chinese case studies. We claim that industrial museums have the responsibility to contribute to the healing of some of the wounds of industrialisation (in this case, climate and ecological damage), which can be achieved through sustainable planning and environmental education.

KEYWORDS: industrial museums; sustainability; environmental education, climate change; Ecological Civilization.



FULL TEXT HERE



viernes, 7 de junio de 2024

Industrial museums with Chinese characteristics: theories and practices

 Artículo

Autores: Long, L.; Cano Sanchiz, J.M.

Revista: Museum Management and Curatorship

Páginas: 149 - 168

Número: 39.2

Año: 2024


Traditional and modern printintg technologies displayed in the China Printing Museum (Fig. 11)

ABSTRACT: Industrial museums are experiencing fast development in China, where they play important roles in industrial heritage preservation, the promotion of industrial culture, and nation-building. These uses, together with the particularities of the Chinese industrialisation process, have shaped new models in industrial museography. In this paper, we describe how some Western ideas regarding industrial museums and heritage have been adapted in China, and how the development of such ideas in theory and practice has resulted in different types of museums. In doing so, we use bibliometry, statistics, and quantitative and qualitative analyses to study the factors behind the growth of industrial museums in China, the scientific literature on the topic produced in the country, and basic data about 249 museums. As a result, we delimitate the specificities of the industrial museums with Chinese characteristics, which can enrich the international discussion on the subject with approaches less explored in the West.

KEYWORDS: industrial museums; industrial culture; industrial heritage; uses of the past, People’s Republic of China.



TEXTO COMPLETO



sábado, 8 de octubre de 2022

3rd East-West Workshop on Industrial Archaeology: Materialising Diversity

The third edition of the East-West Workshop on Industrial Archaeology aims to strengthen diversity. We embrace diversity in a wide sense, considering, among others, its gender, generational, cultural, ethnic, racial and geographical dimensions. More weight is given on this occasion to the work of women in industrial archaeology (which aims to counterbalance the majority of male speakers in our previous meetings), while we count on a contribution from Pakistan for the first time in an international IA event. The speakers will discuss diversity and equality in industrial archaeology, the engagement of children and teenagers, the role of museums, and the chronological and geographical boundaries of the discipline.

 

The East-West series of workshops aims to exchange ideas and knowledge among Western and Eastern colleagues to build a more international and diverse industrial archaeology. The activity is organised jointly by the Institute for Cultural Heritage and History of Science & Technology (USTB, China), and the UK Association for Industrial Archaeology together with its Young Members Board.

 

 

PLACE:

Zoom (online meeting).

 

 

DATE & TIME:

19 November, Saturday.

10.30-12.30 (London) / 12.30-14.30 (Bucharest) / 15.30-17.30 (Islamabad) / 18.30-20.30 (Beijing). 

 

SPEAKERS:

- Penelope FOREMAN (British Museum, UK)

"From classroom to boardroom: the importance of representation and engagement in industrial heritage"

 

- Dongdong WANG (University of Science and Technology Beijing, China)

"Discussion and interpretation of mining and metallurgical cultural heritage in Chinese museums"

 

- Florentina-Cristina MERCIU (University of Bucharest, Romania)

“Diversity in approaching proto-industrial heritage. The water mills from Rudăria area (Romania) as a case study”

 

- Sami ULLAH (The Urban Unit, Pakistan)

“Evolution and identification of industrial archaeology in Pakistan”

 

 

REGISTRATION:

Register for FREE to get the Zoom link to the event here:

https://www.eventbrite.co.uk/e/3rd-east-west-workshop-on-industrial-archaeology-materialising-diversity-tickets-432486136677

 

 






ABOUT THE SPEAKERS:

Penelope FOREMAN is an archaeologist and museum engagement specialist, who focuses on working on community-led heritage projects that give marginalised and minority communities a voice and platform to share their cultural heritage. Her archaeological expertise is in the megaliths of the European Neolithic (PhD Bournemouth 2019) and the preservation of industrial heritage, particularly mines and railways. She is currently the national lead on the Culture Bus schools programme for the British Museum, as well as sitting on the board of the Chartered Institute for Archaeologists and a trustee of the National Coal Mining Museum for England.

 

Dongdong WANG is an associate professor at the Institute for Cultural Heritage and History of Science & Technology (University of Science and Technology Beijing, China). She holds BA and MA Degrees in Chinese Archaeology (Peking University, China), and MA and PhD Degrees in Cultural Resource Management (Kazanawa University, Japan). Her research interests are Chinese and Japanese cultural resource management, archaeological site conservation and utilisation, community participation in site conservation, and industrial archaeology and heritage.

 

Florentina-Cristina MERCIU is an assistant professor at the Faculty of Geography, University of Bucharest, Romania. Her research interests are concerned with the context of industrial heritage regeneration and urban development of former industrial areas through a cultural approach. 

 

Sami ULLAH works as a Project Officer (Archaeology) for The Urban Unit, a renowned governmental company from Pakistan. He has dug archaeological sites of Pakistan’s Islamic, Indus, Buddhist and Hindu periods. He holds a Gold Medal and Master’s Degree in Archaeology from the University of Punjab, Lahore. He is currently working on the identification of industrial heritage in Pakistan. 



miércoles, 12 de enero de 2022

Spaces and roles of contemporary art in industrial and technological ruins

Artículo


Autor: Cano Sanchiz, J. M.

Revista: Arte, Individuo y Sociedad

Número: 34.1

Año: 2022

Páginas: 85-107


Chinese creative hubs in former industrial estates (Figure 4)


RESUMEN: Este artículo propone algunas contribuciones potenciales del arte contemporáneo a los debates sobre patrimonio industrial y tecnológico. El trabajo analiza las relaciones entre arte, ruinas industriales, basura tecnológica, patrimonio y sociedad en perspectiva arqueológica, aunque este punto de vista es comparado y completado con aquellos del arte y la historia del arte. En primer lugar, el texto expone cómo los sitios industriales y los artefactos tecnológicos del pasado reciente son transformados por/para los artistas. Para tal, ofrece una tipología básica y preliminar de relaciones entre arte y obsolescencia ilustrada con casos de Europa, Asia y las Américas. Se presentan cuatro tipos diferentes de intervenciones: la conversión de edificios industriales abandonados en galerías y museos de arte; la transformación de parques industriales/tecnológicos obsoletos en centros de creación; la intervención de artistas en ruinas industriales; y el reciclado creativo de basura tecnológica. En segundo lugar, el texto infiere a partir de los ejemplos ofrecidos en la tipología tres posibles funciones del arte en relación con el patrimonio: revelación/adición de valor; mediación entre el público y los patrimonios oscuros; y reconocimiento en las historias de la tecnología y de la industria. Finalmente, el artículo defiende el papel del arte en la construcción del patrimonio industrial y tecnológico, así como en su reconexión con la sociedad.

PALABRAS CLAVE: Espacios artísticos; arte supra-reciclado; patrimonio industrial; reutilización.

 

ABSTRACT:  This article proposes some potential contributions of contemporary art to industrial and technological heritage discussions. The paper analyses the relationships between art, industrial ruins, technological trash, heritage and society from an archaeological perspective, and this viewpoint is compared to and complemented with those of art and art history. First, the text examines how industrial sites and technological artefacts from the recent past are transformed for/by the artists. In doing so, it offers a preliminary basic typology of art-obsolescence interactions, illustrated with cases from Europe, Asia and the Americas. Four major kinds of interactions are introduced: the conversion of abandoned industrial buildings into art galleries and museums; the transformation of larger obsolete industrial/ technological areas into creative hubs; the intervention of artists in industrial ruins; and the creative recycling of technological waste. Second, the text infers from the examples provided in the typology three possible functions of art regarding heritage: revelation/addition of value; mediation between the public and dark heritages; and recognition in technological and industrial history. Finally, the paper defends the role of art in the making of industrial and technological heritages, as well as in reconnecting them to society. 

KEYWORDS: Art spaces; upcycling art; industrial heritage; adaptive reuse. 




TEXTO COMPLETO



domingo, 26 de diciembre de 2021

miércoles, 6 de octubre de 2021

Últimas presentaciones


Título: Patrimônio e arquitetura da industrialização. O passado como oportunidade
Universidad: Universidade Estadual Paulista (Brasil) [online]
Fecha: 14 de mayo de 2020



 
Ponencia: “A imagem do trem na China: museus, tecnologia e narrativas de progresso”
Conferencia: V Congresso Internacional de História e Patrimônio Ferroviário & IV Jornada de Jovens Pesquisadores em História e Patrimônio Ferroviário “Os legados para nosso futuro”
Organización: UNESP & PUC-Campinas
Lugar de celebración: Campinas, Brasil (online)
Fecha: 10 de septiembre de 2020



Conferencia: “Art + rust. The roles and spaces of contemporary art in the ruins of industry and technology”
Organización: Lunch Lectures, Institute for Cultural Heritage and History of Science & Technology
Lugar de celebración: School of Metallurgical Engineering, University of Science and Technology Beijing, Pekín (China)
Fecha: 30 de diciembre de 2020




Ponencia: “Industrial Archaeology: a Comparative Approach to China and Europe”
Conferencia: 1st East-West Workshop on Industrial Archaeology: Introducing the Archaeology of the Industrial Society
Organización: Institute for Cultural Heritage and History of Science & Technology (USTB) & Association for Industrial + Young Members Board
Lugar de celebración: online 
Fecha: 8 de mayo de 2021




Ponencia: “Contemporary Art and the Making of Industrial Heritage”
Conferencia: The 11th Chinese Academic Forum of Industrial Heritage
Organización: Industrial Architecture Heritage Academic Committee of ASC
Lugar de celebración: Hohhot (China)
Fecha: 22 de mayo de 2021




Conferencia: “Mining sites: landscapes, cultures and heritage values”
Organización: Lunch Lectures, Institute for Cultural Heritage and History of Science & Technology
Lugar de celebración: School of Metallurgical Engineering, University of Science and Technology Beijing, Pekín (China)
Fecha: 21 de julio de 2021


 
Comunicación: “East-West Workshop on Industrial Archaeology series”
Congreso: 2021 Association for Industrial Archaeology Annual Conference
Organización: Association for Industrial Archaeology & Merseyside Industrial Heritage Society
Lugar de celebración: Zoom (online)
Fecha: 18 de septiembre de 2021




Comunicación: “The heritage values of mining sites. A critical approach based on materiality”
Congreso: International Conference “Industrial Heritage – Conservation, Cultural Promotion and Intelligent Reuse” (5th Edition)
Organización: Professional Association of Romanian Geographers
Lugar de celebración: online
Fecha: 23 de septiembre de 2021




sábado, 20 de febrero de 2021

Beijing Auto Museum (China)

 

Visited on 19 Feb 2021



General views of the museum's building, outside and inside



The very beginnings, or the automobile's ancestors 



The assembly line



Collection of classic Chinese cars



Meeting some developers of the car industry



Anatomy of Car



Engines



Car design, here seen through one of the many interactive facilities of the museum



Welcome to the future





sábado, 23 de mayo de 2020

Geoparque Comarca Minera de Hidalgo (México)


El Geoparque Comarca Minera de Hidalgo, México, es un territorio Patrimonio de la Humanidad que conserva las huellas de cuatro siglos de producción de oro y plata por parte de españoles, británicos, norteamericanos y mexicanos. Antiguos mineros guían la visita a este increíble lugar, una especie de Cornwall latinoamericano en el centro de México. ¡Hay hasta Cornish pastries!


















sábado, 4 de abril de 2020

The Image of Railways in China: Museums, Technology and Narratives of Progress

Artículo

Autores: Cano Sanchiz, J. M.; Zhang, R.; Lei, L.
Revista: The Historic Environment: Policy & Practice
Número: 11.2-3
Año: 2020
Páginas: 258-281

China Railway Museum - Eastern Suburb Exhibition Hall

ABSTRACT:  This paper analyses how the evolution of the railway sector and the changes brought by the railways are perceived and represented in the People’s Republic of China. In doing so, we focus on four railway collections (three of them belonging to the same museum) and three temporary exhibitions, among other materials. That lets us build an interpretation giving prominence to material culture and to the symbolic use of objects and images, allowing us to pursue the meanings of railway heritage and history in China. Furthermore, this analysis compares the information available in Chinese and English in the museums, exhibitions, and some media (in this last case we include Spanish too).  In terms of methodology, we combine tools from archaeology, museums studies, applied linguistics and cross-cultural communication. We think this approach is innovative and also appropriate to perceive the messages created by the Chinese museum sector and sent both to national and to international audiences – ie, how China uses railway heritage and history to represent itself domestically and to the rest of the world.
KEYWORDS: railway museums; industrial heritage; image of industry; heritage discourses; Chinese railways; semantics.