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sábado, 9 de noviembre de 2024

7th East-West Workshop on Industrial Archaeology: Weaving the Industrial Period

 

The production of fabric and its transformation into clothes was worldwide one of the first sectors to embrace modern industrialisation, even though continuities (of domestic working spaces, traditional production processes, manual technologies, etc.) often coexisted with changes (the factory, the factory system, the power loom…). The 7th East-West Workshop on Industrial Archaeology revisits the capital importance of the textile sector in the development of the industrial period. This edition focuses on the heritage and archaeology of the textile industry from the East, the West and the world to explore its commonalities (transfer of technology, building materials, typologies, etc) and singularities (chronological disparities, heritage practices, etc.)

 

The East-West series of workshops aims to exchange ideas and knowledge among Western and Eastern colleagues to build a more international and diverse industrial archaeology. The activity is organised jointly by the Institute for Cultural Heritage and History of Science & Technology (USTB, China), and the UK Association for Industrial Archaeology with its Young Members.



 

 

PLACE:

Zoom (online meeting).

Register for FREE to get the Zoom link to the event here:

https://www.eventbrite.co.uk/e/7th-east-west-workshop-on-industrial-archaeology-tickets-1072988229679

 

 

DATE & TIME:

23 November 2024, Saturday.

10.00-12.00 London time

 

 

SPEAKERS & TALKS:

- Yiping DONG (Xi’an Jiaotong-Liverpool University, China): "Complexity of the Conservation of Textile Heritage in China"

The textile industry was one of the most important engines for global industrialization. Chinese modern industries were established mainly in port cities through two channels: foreign investments and the "Westernization Movement" after the Opium War. The new manufactory demanded a new type of building--the modern industrial buildings--which had a crucial influence on the modernization of Chinese architecture. From the perspective of technology transfer in East Asia, this research explores the modern textile factories in the Yangtze Delta region of China and the further localization of textile production with the modernization of urban spaces. However, this industry has a long pre-industrial tradition in China, especially in the Yangtze Delta region. How did the new techniques of mechanical mass production impact the region, one with its own rich timber construction tradition? Focusing on the historical origins of Chinese modern industrial buildings and routes of technology transfer, this paper will take early textile mills in Yangzi Delta region as examples to reveal the process of modernization in the building industry in China. The textile industry also significantly impacts urban development with its booming and declining, meanwhile the narrative of industrial past also shifted its discourses in the past decades.

 

- Ian MILLER (The University of Salford, Britain): "Salford Twist Mill: Uncovering an Iconic Textile Factory"

The Salford Twist Mill of 1799–1801 has attracted much attention as a pioneering example of an iron-framed building, the first textile mill in England to have benefited from steam heating and one of the earliest buildings in the world to have been permanently lit by gas. Aspects of the mill’s development have been debated since its destruction in the mid-20th century, although several points of contention were clarified during an archaeological excavation and associated research conducted by the University of Salford in 2016–17. In particular, fragments of structural ironwork recovered from demolition layers yielded fresh evidence for the building’s internal cast-iron frame, enabling a definitive account to be drawn up of one of the first iron-framed mills.

 

- Mark WATSON (Historic Environment Scotland, Britain): "Global Textile Industries and their Built Heritage"

The East-West and West-East trade in textiles- raw materials and finished goods- has left a trail of mills and factories, craft skills and know-how, that mean rich cultural connections, some more or less exploitative. Mark will comment on these and draw on what we have yet to learn about the industry, its role in bringing economic development, commonalities in types of mill, and differences. The story begins locally in New Lanark and crosses the world, an attempt to put that place in context for UNESCO, and the assistance of TICCIH (the International Committee for the Conservation of the Industrial Heritage) in achieving that overview. The global pandemic in 2020-2022 actually made some places better known and some voices heard through online discussions that replaced in-person meetings that were intended to take place in Europe. Is the east-west balance imperfect but better? 

 

 

ABOUT THE SPEAKERS:

Dr Yiping DONG is an associate professor in the Department of Architecture, Design School at Xi’an Jiaotong-Liverpool University, Coordinator of History, Theory, and Heritage LAB. As a trained architect and architectural historian and conservation researcher and practioner, she is active in the research of architectural history and heritage. Her research interests include:  Heritage theory, Chinese architectural history and theory in a global context, industrial heritage and heritage-led regeneration, architectural design in context, and the adaptive reuse of buildings. She is deputy secretary of the Urban-Rural Built Heritage Committee of the Architectural Society of China, an academic member of IAHAC (Industrial Architecture Heritage Academic Committee) of China, a Board member and National Representative of TICCIH (International Committee for the Conservation of Industrial Heritage), and Vice President of ACHS (Association of Critical Heritage Studies). She is the academic coordinator and program leader of the WHITRAP-XJTLU advanced training course for Sustainable Development and Built Heritage (2019 and 2020) for the Asia Pacific Region. She was invited as the Visiting Professor for Sapienza University of Rome in 2023. Dr Dong’s recent research focuses on the cultural revitalization of the urban-rural heritage in China and the anthropological approach to understanding landscape, urban, and architectural history. She co-initiated the China Yanping Art Harvest 2018/2019/2020 project, the Safeguarding Heritage and Community of Shuangta Research Project (2021-2023), and the 2024 Kunming Dianchi Art Festivalis.

 

Ian MILLER has been a professional archaeologist for more than 35 years, working primarily in north-west England where he has gained recognition as a regional specialist in industrial archaeology. His particular research interests include the development of Lancashire’s textile and glass industries, their buildings and the associated growth of industrial townscapes, with special reference to Manchester and Salford. In 2008-15, Ian led the Lancashire Textile Mills Survey, a strategic research project that was funded by Historic England that aimed to quantify all the textile-manufacturing sites in Lancashire and provide a qualitative assessment of the surviving buildings. Building on the success of that survey, Ian led similar studies of textile mills in Greater Manchester and West Yorkshire, and compiled the illustrated text for a dedicated volume on textile mills for inclusion in Historic England’s ‘Introduction to Heritage Assets’ series of guidance documents. Ian is currently Director of the Greater Manchester Archaeological Advisory Service, which is housed in the University of Salford and provides specialist advice on archaeological matters to Greater Manchester’s ten district planning authorities. Ian is also Co-editor of Industrial Archaeology Review, the leading international journal for industrial archaeology.

 

Mark WATSON, from the External Relations and Partnerships Directorate of Historic Environment Scotland, is a joint author of the TICCIH (The International Committee for the Conservation of the Industrial Heritage) comparative study The Heritage of the Textile Industry (with Heike Oevermann and Bartosz Walczak). He has degrees in History (University of Oxford) and Industrial Archaeology (University of Birmingham), worked in museums and then joined what is now Historic Environment Scotland, listing buildings and managing change to historic buildings and conservation areas across Scotland. He wrote the nomination for New Lanark’s inclusion in the UNESCO World Heritage List (inscribed 2001) and parts of that for the Forth Bridge (2015). He has also contributed to two Europa Nostra award-winning projects (Knockando and Stanley Mills). Watson is the UK national representative TICCIH. He researches textile industries, engineering, architecture and industrial heritage.



viernes, 7 de junio de 2024

Industrial museums with Chinese characteristics: theories and practices

 Artículo

Autores: Long, L.; Cano Sanchiz, J.M.

Revista: Museum Management and Curatorship

Páginas: 149 - 168

Número: 39.2

Año: 2024


Traditional and modern printintg technologies displayed in the China Printing Museum (Fig. 11)

ABSTRACT: Industrial museums are experiencing fast development in China, where they play important roles in industrial heritage preservation, the promotion of industrial culture, and nation-building. These uses, together with the particularities of the Chinese industrialisation process, have shaped new models in industrial museography. In this paper, we describe how some Western ideas regarding industrial museums and heritage have been adapted in China, and how the development of such ideas in theory and practice has resulted in different types of museums. In doing so, we use bibliometry, statistics, and quantitative and qualitative analyses to study the factors behind the growth of industrial museums in China, the scientific literature on the topic produced in the country, and basic data about 249 museums. As a result, we delimitate the specificities of the industrial museums with Chinese characteristics, which can enrich the international discussion on the subject with approaches less explored in the West.

KEYWORDS: industrial museums; industrial culture; industrial heritage; uses of the past, People’s Republic of China.



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sábado, 4 de mayo de 2024

6th East-West Workshop on Industrial Archaeology: Industrial Ruins


Modern ruins are radically different from those ruins of ancient times that are customarily curated as archaeological heritage. They are irrational, wild and unterminated. In modern ruins, multiple changes occur quickly, making them both fascinating and disconcerting. This edition of the workshop delves into the ancient and modern ruins of industry as particular archaeological sites that allow, and demand, different explorations. The 6th East-West Workshop on Industrial Archaeology brings together historians and archaeologists from the UK, China and Brazil to examine the ruins of industry as sources of information (archaeological evidence), inspiration and aesthetic experiences.

The East-West series of workshops aims to exchange ideas and knowledge among Western and Eastern colleagues to build a more international and diverse industrial archaeology. The activity is organised jointly by the Institute for Cultural Heritage and History of Science & Technology (USTB, China), the UK Association for Industrial Archaeology, and its Young Members Board.

 


 

PLACE:

Zoom (online meeting).

Register for FREE to get the Zoom link to the event HERE

 

 

DATE & TIME:

11 May 2024, Saturday.

10.00-12.00 London time

 

 

SPEAKERS & TALKS:

- Hilary ORANGE (Swansea University, Wales): "Stuff Kicked Underfoot – The Surfaces of Industrial Ruination"

Two hundred years ago, Cornwall – a peripheral, maritime region of the UK – emerged as a world leader in mining engineering and innovation, mostly for tin and copper. Today, a rich archaeological legacy of industrial sites and features remain, including sites of production, industrial settlements and related infrastructure. These deindustrialised landscapes are not static entities. Here, as elsewhere, surfaces have formed through the actions of geological, taphonomic and climatic forces, as well as through gravity and the actions of humans and other species. In this talk, I explore how local people engage bodily with the surfaces of Cornish mining land, mostly but not only through walking interviews with a wide array of actors. The lecture aims to provide a nuanced discussion on postindustrial landscape, one that moves beyond iconic ruined structures to look instead more deeply at surface–body relations from a more-than-representational perspective.

 

- Xianping GAO (University of Science and Technology Beijing, China): "Excavating the Ruins of the Chinese Porcelain Industry: The Luomachiao Kiln Site in Jingdezhen"

Jingdezhen is renowned as the "Porcelain Capital" and is one of the earliest handicraft cities in the world. Jingdezhen represents the pinnacle of ancient Chinese porcelain craftsmanship, with the Imperial Kiln Factory established here as the sole royal porcelain factory during the Ming and Qing dynasties. During the great age of maritime trade from the 15th to the 19th century, billions of porcelain items were exported from Jingdezhen to various parts of the world. In 2012, we conducted excavations at the Luomachiao Kiln site, located in the central production area of Jingdezhen's civilian kilns during the Yuan, Ming, and Qing dynasties (13th to 19th centuries). It was also the site of a state-owned porcelain factory established in the 1950s, the factory buildings of which are still well-preserved. The excavation unearthed a large number of ceramic remnants and artefacts from the 11th to the 20th centuries, providing valuable material to understand the development trajectory, level of craftsmanship and technology, as well as the industrial heritage landscape and value of porcelain handicrafts in Jingdezhen.

 

- Guilherme POZZER (University of Sheffield, England): "Words in Ruins: Sensorial, Affective and Creative Approaches to the Ruins of Industry"

This presentation proposes a reinterpretation of industrial ruins, moving beyond their aesthetic value, often negative social perception, and static role in the urban landscape. By immersing ourselves in these spaces through sensory experiences, we can gain deeper reflection on their history, function, current state, and future, as well as the temporality of human existence. As we experience the decayed state of these ruins, a blend of melancholy, excitement, contemplation, curiosity, and nostalgia intertwines with our imagination, senses, and emotions, and with the silences, noises, and, sometimes, memories of these places. This rich tapestry highlights the potential of industrial ruins to become catalysts for individual and collective transformations. Drawing on the work "Palavras em Ruínas" [Words in Ruins] and the research project "Crafting the Past: Empowering Communities through Creative Writing, Visual Narratives, Memory, and Place-Making", themes of memory and experimentation in ruined industrial spaces will be explored to discuss the integration of sensory, emotional, and creative perspectives into research practices and approaches to the industrial past and history.


sábado, 4 de noviembre de 2023

5th East-West Workshop on Industrial Archaeology: The Architecture of Industry


Modern industrialisation changed the built environment with new materials, technologies, scales and typologies. This workshop edition explores the architecture created for or by industry, and how the post-industrial society transforms and repopulates the spaces of the industrial period. The 5th East-West Workshop on Industrial Archaeology looks at China, England, Greece and Spain to discuss current issues, trends, theoretical and methodological frameworks, and creative approaches in the research, protection, activation and divulgation of historical industrial architecture.


The East-West series of workshops aims to exchange ideas and knowledge among Western and Eastern colleagues to build a more international and diverse industrial archaeology. The activity is organised jointly by the Institute for Cultural Heritage and History of Science & Technology (USTB, China), the UK Association for Industrial Archaeology, and its Young Members Board.

 



 

PLACE:

Zoom (online meeting).

 

 

DATE & TIME:

25 November 2023, Saturday.

10.00-12.00 GMT

 

 

SPEAKERS & TALKS:

- Carolina CASTAÑEDA (TICCIH-International and TICCIH-Spain): "The imprint of the Spanish tobacco industry on the urban landscape: Permanences and absences of an industrial memory"

The preservation of old industrial buildings implies their treatment as reused elements for the development of the dynamics of today’s society, in a second life where their recovery for citizenship implies a social value added to their historical-cultural importance. But this narrative is not complete without considering those intangible aspects that, unfortunately, have been lost over time and shape a memory of absences. This presentation proposes a reflection on the specific imprint left by the presence of Spanish tobacco factories in the urban landscape. It examines their different dimensions as industrial heritage in relation to the territory, the city, their architectural formalisation and the dynamics of the cigarette-makers as key workers. In this way, the importance of the activity of these factories in the cities in which they were located established a series of tangible and intangible relationships, both in their immediate surroundings and in the whole city.

 

- Fanlei MENG (Beijing University of Civil Engineering and Architecture, China): "Research on the history and architectural heritage value of industrial construction in modern Beijing"

As the important capital of modern China, Beijing witnessed the great impact of the western industrial revolution in the late Qing Dynasty, and became one of the cities that started the industrialization process earlier. After the rule of the Qing government, Beiyang government and the government of the Republic of China, Beijing gradually moved towards the industrial civilization from the agricultural era. Modern industrial construction has had an important impact on the evolution of Beijing’s urban pattern, architectural style and economic structure, forming the industrial architectural style with Beijing’s regional characteristics and unique heritage value. Based on systematically combing the evolution of the modern Beijing industry, the style characteristics and heritage values of modern industrial buildings in Beijing were analysed and studied to improve further the research of value systems for Beijing industrial heritage and show the diversified values of the industrial building heritage in Beijing from a more micro perspective.

 

- Gordon DAVIES (Cambridge Museum of Technology, England): "An industrial tale of two cities: Filming the architecture of industry around Cambridge Museum of Technology (UK) and Athens Technopolis (Hellas)"

“An Industrial Tales of Two Cities” offers a multimedia examination of 'twin’ industrial sites, which explores the question: how does the context of a ‘heritage city’ impact factors to retain, remediate, restore, redevelop or remove industrial architecture? Athens (Hellas) and Cambridge (UK) both have millennia-old (pre) industrial histories, and do not tend to be strongly associated with the Industrial Revolution of the 19th century: architecture from other periods has (historically) taken pre-eminence, especially among (tourist) guides. Yet both cities are home to significant examples of industrial heritage and host industrial museums. This presentation introduces an immersive documentary film that combines archive photography, contemporary drone videography and ambient-sound recordings, juxtaposing ‘absence’ (the redeveloped site of a former gasworks in Cambridge) with the best-preserved architectural example of the industrial-gas-making process (located in Athens). The video is commented by the producer, including explanations of the methodology behind the making of the film and descriptions of film-processing tools to explore the architecture of industry.

 

 

REGISTRATION:

Register for FREE to get the Zoom link to the event here:

https://www.eventbrite.co.uk/e/5th-east-west-workshop-on-industrial-archaeology-tickets-746962925217?aff=oddtdtcreator

 

 

domingo, 16 de abril de 2023

4th East-West Workshop on Industrial Archaeology: The Archaeology of Technology

From underground to outer space, from the 14th to the 21st century, the 4th E-W Workshop on Industrial Archaeology explores the interlinkages of archaeology, technology, science and industry with cases from Australia, Asia, Europe and the Universe! This edition of the workshop revisits the original focus of industrial archaeology on the research and conservation of technology, which is expanded and revised with new geographies, chronologies, methodologies and questions. 

The East-West series of workshops aims to exchange ideas and knowledge among Western and Eastern colleagues to build a more international and diverse industrial archaeology. The activity is organised jointly by the Institute for Cultural Heritage and History of Science & Technology (USTB, China), and the UK Association for Industrial Archaeology together with its Young Members Board.



 

PLACE:

Zoom (online meeting).

 

 

DATE & TIME:

27 May 2023, Saturday.

10.00-12.00 GMT

 

 

SPEAKERS & TALKS:

- Alice GORMAN (Flinders University, Australia): "Beyond the rocket: the archaeological study of space technology"

Space archaeology is the study of the material remains of human space-related activities on Earth and on other celestial bodies. While there are many methodological commonalities with historical archaeology, such as the use of documents and oral histories to augment interpretations of the archaeological record, space archaeology has had to develop image-based methods of analysis in order to overcome the obstacles to fieldwork in space. A focus on material culture offers opportunities to investigate how humans adapt to the space environment, such as the microgravity of the International Space Station or the dust of the lunar surface, and develop distinct space cultures. However, the majority of the material record of space, from Earth orbit to interstellar space, could be considered a machine landscape produced by robots. Nonetheless these robotic space objects can be used to tell creative stories which operate outside the dominant narratives of space exploration, for example, highlighting the participation of amateurs or Indigenous people in space industry.

 

- Shujing FENG (National Academy of Innovation Strategy & Tsinghua University, China): "Wenzhou Alum Mine from the perspective of the archaeology of technology"

Wenzhou Alum Mine in Fanshan Town, Zhejiang Province (China), operated from the middle of the 14th century to December 2017 and, as an important centre of the Chinese alum industry for more than 600 years, witnessed both change and continuity in the development of alum mining and refining technology. Alum was produced in Wenzhou from the alunite ore mined in the territory, and included quarrying, calcining, weathering and steeping the ore to produce an impure solution, or liquor, of aluminium sulphate and potassium sulphate, which was then boiled at the appropriate temperature to form a concentration of alum. A review of the documentary evidence coupled with an archaeological survey of the mining and refining sites owned by the Wenzhou Alum Mine Company has enabled the site to be redefined as a complex production landscape by paying attention to the evidence for the evolution of technology used for producing alum.

 

- Geoffrey WALLIS (GW Conservation/Dorothea Restorations & AIA, UK)

"Developments in practical engineering conservation. The works of Dorothea Restorations Ltd."

Dorothea Restoration Engineers Ltd was set up in the mid 1970’s by a group of young graduates concerned about the widespread post-World War II clearance of the historic machinery which had driven the industrial revolution, and for which Britain had become a world-famous manufacturer and exporter. What started as a volunteer activity soon became a thriving business which grew to become the largest independent engineering conservation company in the UK, celebrating its half-centenary next year. This paper looks at the wide range of practical conservation projects undertaken, many of them technically or logistically difficult, some of the ethical issues encountered, how staff were trained in such a specialist field, and how modern technology is now being employed in the practical restoration and conservation of heavy machinery, traditional mills, and historic metalwork.

 

 

ABOUT THE SPEAKERS:

Dr Alice GORMAN is an internationally recognised leader in the field of space archaeology and author of the award-winning book Dr Space Junk vs the Universe: Archaeology and the Future (MIT Press, 2019). Her research focuses on the archaeology and heritage of space exploration, including space junk, planetary landing sites, off-earth mining, and space habitats. In 2022, she co-directed (with Justin Walsh) an archaeological survey on the International Space Station, which was the first archaeological fieldwork ever to take place outside Earth. She is an Associate Professor at Flinders University in Adelaide and a heritage consultant with over 30 years’ experience working with Indigenous communities in Australia. Gorman is also a Vice-Chair of the Global Expert Group on Sustainable Lunar Activities, a member of the Advisory Council of the Space Industry Association of Australia, and an expert member of the ICOMOS International Scientific Committee for Aeropace Heritage. Asteroid 551014 Gorman is named after her in recognition of her work in space archaeology.

 

Dr Shujing FENG is currently a post-doctoral fellow at Tsinghua University and the National Academy of Innovation Strategy (Chinese Academy of Science and Technology). Her research interest is industrial archaeology, industrial heritage, and the history of technology, with experience in the industrial archaeology of Wenzhou Alum Mine, the industrial heritage of Shougang (which held the latest Winter Olympics), and the value evaluation of China’s industrial heritage. She has published numerous articles and a book on these topics. She obtained her PhD degree from the University of Science and Technology Beijing in 2020 with the dissertation ‘Industrial Archaeological Research on Wenzhou Alum Mine from the Perspective of the History of Technology.’ In 2018, she was a visiting PhD student at the Ironbridge International Institute for Cultural Heritage (University of Birmingham). Her current research is supported by the China Postdoctoral Science Foundation.

 

Geoffrey WALLIS C.Eng MIMech.E is a mechanical engineer (Bath University) with wide expertise in the restoration and conservation of historic metalwork, machinery and traditional mills. He co-founded Dorothea Restoration Engineers Ltd. and directed the company for 30 years, before becoming a consultant (see www.gwconservation.com).  He has practical experience working on high-profile sites involving complex machinery and metalwork often in poor condition. Wallis has led the Architectural and Structural Metals Conservation Masterclass at West Dean College near Chichester since 2005 and lectures widely on engineering conservation to several UK universities. He has delivered metalwork-conservation courses in Britain, Myanmar, Zanzibar, and online to India, has contributed to several conservation textbooks, and has featured in TV programmes covering practical restoration projects. Geoffrey is a trustee of the Museum of Bath at Work, a founder and Director of the National Heritage Ironwork Group, a Past President of the Newcomen Society and a Council member of the Association for Industrial Archaeology, for which he founded the Young Members Board.



REGISTRATION:

Register for FREE to get the Zoom link to the event here:

https://www.eventbrite.co.uk/e/4th-east-west-workshop-on-industrial-archaeology-tickets-608294634627



jueves, 26 de enero de 2023

Industrial sites’ recording systems in China: Comparative analysis and contributions from Industrial Archaeology

Artículo

Autores: Liu, K.; Cano Sanchiz, J. M.

Revista: Science Today

Número: 2022.3

Año: 2022

Páginas: 77-92

En chino:  Juan Manuel CANO SANCHIZ. 中国工业遗记录样式的比设计 [J]. 今日科苑,2022.063):77-92


Fig. 4


ABSTRACT: The on-site recording of industrial sites is both urgent and necessary. On one hand, it can salvage precious information. On the other hand, it can support decision-making in conservation and utilization programs, as well as important data for research on relevant industrial activities. In-field data collection and recording methods of industrial sites in China are still in the stage of continuous exploration. Through the analysis of nine existing recording systems in China, this paper finds that there is a common phenomenon: the records pay more attention to the presentation of architectural forms and structures at the macro-level, and less attention is given to the footprints of changes and past activities at the micro-level. However, the latter is of key importance to interpreting the singularities of each industrial site. The introduction of the background of industrial archaeology can contribute to solving this problem. This paper tries to explore and design a recording system based on industrial archaeology, so as to promote more exhaustive and systematic data collections in industrial sites. The theoretical research is combined with field investigation and recording experience in Beijing Erqi Locomotive Factory, which is used as an example to provide a clearer explanation. 

KEYWORDS: Industrial archaeology; industrial site; data collection; field recording; industrial heritage




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martes, 24 de enero de 2023

News about the East-West Workshops on Industrial Archaeology

Artículos breves

Autor: Cano Sanchiz, J. M. 

Artículo: “The 2nd East-West Workshop on Industrial Archaeology (The New Generation)”

Revista: Industrial Archaeology News

Páginas: 21-22

Número: 202

Año: 2022

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Autor: Cano Sanchiz, J. M. 

Artículo: “East-West Workshop on Industrial Archaeology”

Revista: TICCIH Bulletin

Páginas: 25-26

Número: 97

Año: 2022

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