tag:blogger.com,1999:blog-62279812967746824352024-03-16T08:04:14.016+01:00La ciudad críticaarchaeology of the contemporary age // industrial culture // environmental humanities // cultural innovationCiudadanohttp://www.blogger.com/profile/02585968705417101183noreply@blogger.comBlogger278125tag:blogger.com,1999:blog-6227981296774682435.post-76743697291180433432023-11-04T02:06:00.009+01:002023-11-04T02:11:43.973+01:005th East-West Workshop on Industrial Archaeology: The Architecture of Industry<p style="text-align: left;"><br /></p><span lang="EN-GB" style="font-family: Arial, sans-serif; font-size: 11pt;"><div style="text-align: justify;"><span style="font-size: 11pt;">Modern industrialisation changed the built environment with new materials, technologies, scales and typologies. This workshop edition explores the architecture created for or by industry, and how the post-industrial society transforms and repopulates the spaces of the industrial period. The 5</span><sup>th</sup><span style="font-size: 11pt;"> </span><span style="font-size: 11pt;">East-West Workshop on Industrial Archaeology looks at China, England, Greece and Spain to discuss current issues, trends, theoretical and methodological frameworks, and creative approaches in the research, protection, activation and divulgation of historical industrial architecture.</span></div></span><p class="MsoNormalCxSpMiddle" style="font-family: Arial, sans-serif; font-size: 11pt; line-height: 18.333334px; margin: 0cm; text-align: justify;"><span lang="EN-GB"><br /></span></p><p class="MsoNormalCxSpMiddle" style="font-family: Arial, sans-serif; font-size: 11pt; line-height: 18.333334px; margin: 0cm; text-align: justify;"><span lang="EN-GB">The East-West series of workshops aims to exchange ideas and knowledge among Western and Eastern colleagues to build a more international and diverse industrial archaeology. The activity is organised jointly by the Institute for Cultural Heritage and History of Science & Technology (USTB, China), the UK Association for Industrial Archaeology, and its Young Members Board.<o:p></o:p></span></p><p class="MsoNormalCxSpMiddle" style="font-family: Arial, sans-serif; font-size: 11pt; line-height: 18.333334px; margin: 0cm; text-align: justify;"><span lang="EN-GB"> </span></p><p class="MsoNormalCxSpMiddle" style="font-family: Arial, sans-serif; font-size: 11pt; line-height: 18.333334px; margin: 0cm; text-align: justify;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2f9jWhQMGQAC8mS7X98XpBh7Pv6rFzMHYoR5mLgRjOUfUZafzKsmZGmsPan7UllmFf9ro_DnrLH8a72EYJpSpkLQDKMETCjm_wVVFXoIVCf40vuh5wDiWWf_x_Z3Teo74EKD_rBXARzleS0WWpk4uM33_7hd46YGAyCDNMufOpavxRcPDiiypvDAspgxE/s933/poster.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="933" data-original-width="700" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2f9jWhQMGQAC8mS7X98XpBh7Pv6rFzMHYoR5mLgRjOUfUZafzKsmZGmsPan7UllmFf9ro_DnrLH8a72EYJpSpkLQDKMETCjm_wVVFXoIVCf40vuh5wDiWWf_x_Z3Teo74EKD_rBXARzleS0WWpk4uM33_7hd46YGAyCDNMufOpavxRcPDiiypvDAspgxE/s16000/poster.jpg" /></a></div><br /><span lang="EN-GB"><br /></span><p></p><p class="MsoNormalCxSpMiddle" style="font-family: Arial, sans-serif; font-size: 11pt; line-height: 18.333334px; margin: 0cm; text-align: justify;"><span lang="EN-GB"> </span></p><p class="MsoNormalCxSpMiddle" style="font-family: Arial, sans-serif; font-size: 11pt; line-height: 18.333334px; margin: 0cm; text-align: justify;"><b><span lang="EN-GB" style="color: #806000;">PLACE:<o:p></o:p></span></b></p><p class="MsoNormalCxSpMiddle" style="font-family: Arial, sans-serif; font-size: 11pt; line-height: 18.333334px; margin: 0cm; text-align: justify;"><span lang="EN-GB">Zoom (online meeting).<o:p></o:p></span></p><p class="MsoNormalCxSpMiddle" style="font-family: Arial, sans-serif; font-size: 11pt; line-height: 18.333334px; margin: 0cm; text-align: justify;"><span lang="EN-GB"> </span></p><p class="MsoNormalCxSpMiddle" style="font-family: Arial, sans-serif; font-size: 11pt; line-height: 18.333334px; margin: 0cm; text-align: justify;"><span lang="EN-GB"> </span></p><p class="MsoNormalCxSpMiddle" style="font-family: Arial, sans-serif; font-size: 11pt; line-height: 18.333334px; margin: 0cm; text-align: justify;"><b><span lang="EN-GB" style="color: #806000;">DATE & TIME:<o:p></o:p></span></b></p><p class="MsoNormalCxSpMiddle" style="font-family: Arial, sans-serif; font-size: 11pt; line-height: 18.333334px; margin: 0cm; text-align: justify;"><span lang="EN-GB">25 November 2023, Saturday.<o:p></o:p></span></p><p class="MsoNormalCxSpMiddle" style="font-family: Arial, sans-serif; font-size: 11pt; line-height: 18.333334px; margin: 0cm; text-align: justify;"><span lang="EN-GB">10.00-12.00 GMT<o:p></o:p></span></p><p class="MsoNormalCxSpMiddle" style="font-family: Arial, sans-serif; font-size: 11pt; line-height: 18.333334px; margin: 0cm; text-align: justify;"><span lang="EN-GB"> </span></p><p class="MsoNormalCxSpMiddle" style="font-family: Arial, sans-serif; font-size: 11pt; line-height: 18.333334px; margin: 0cm; text-align: justify;"><span lang="EN-GB"> </span></p><p class="MsoNormalCxSpMiddle" style="font-family: Arial, sans-serif; font-size: 11pt; line-height: 18.333334px; margin: 0cm; text-align: justify;"><b><span lang="EN-GB" style="color: #806000;">SPEAKERS & TALKS:<o:p></o:p></span></b></p><p class="MsoNormalCxSpMiddle" style="font-family: Arial, sans-serif; font-size: 11pt; line-height: 18.333334px; margin: 0cm; text-align: justify;"><span lang="EN-GB">- Carolina CASTAÑEDA </span><span lang="EN-GB" style="line-height: 18.333334px;">(TICCIH-International and TICCIH-Spain)</span><span lang="EN-GB">: "</span><b><span lang="EN-GB" style="line-height: 18.333334px;">The imprint of the Spanish tobacco industry on the urban landscape: Permanences and absences of an industrial memory</span></b><span lang="EN-GB">"<o:p></o:p></span></p><p class="MsoNormalCxSpMiddle" style="font-family: Arial, sans-serif; font-size: 11pt; line-height: 18.333334px; margin: 0cm 0cm 0cm 36pt; text-align: justify;"><span lang="EN-GB" style="font-size: 10pt; line-height: 16.666666px;">The preservation of old industrial buildings implies their treatment as reused elements for the development of the dynamics of today’s society, in a second life where their recovery for citizenship implies a social value added to their historical-cultural importance. But this narrative is not complete without considering those intangible aspects that, unfortunately, have been lost over time and shape a memory of absences. This presentation proposes a reflection on the specific imprint left by the presence of Spanish tobacco factories in the urban landscape. It examines their different dimensions as industrial heritage in relation to the territory, the city, their architectural formalisation and the dynamics of the cigarette-makers as key workers. In this way, the importance of the activity of these factories in the cities in which they were located established a series of tangible and intangible relationships, both in their immediate surroundings and in the whole city</span><span lang="EN-GB" style="font-size: 10pt; line-height: 16.666666px;">.</span><span lang="EN-GB" style="font-size: 10pt; line-height: 16.666666px;"><o:p></o:p></span></p><p class="MsoNormalCxSpMiddle" style="font-family: Arial, sans-serif; font-size: 11pt; line-height: 18.333334px; margin: 0cm; text-align: justify;"><span lang="EN-GB"> </span></p><p class="MsoNormalCxSpMiddle" style="font-family: Arial, sans-serif; font-size: 11pt; line-height: 18.333334px; margin: 0cm; text-align: justify;"><span lang="EN-GB">- Fanlei MENG </span><span lang="EN-GB" style="line-height: 18.333334px;">(Beijing University of Civil Engineering and Architecture, China)</span><span lang="EN-GB">: "</span><b><span lang="EN-GB" style="line-height: 18.333334px;">Research on the history and architectural heritage value of industrial construction in modern Beijing</span></b><span lang="EN-GB">"<o:p></o:p></span></p><p class="MsoNormalCxSpMiddle" style="font-family: Arial, sans-serif; font-size: 11pt; line-height: 18.333334px; margin: 0cm 0cm 0cm 36pt; text-align: justify;"><span lang="EN-GB" style="font-size: 10pt; line-height: 16.666666px;">As the important capital of modern China, Beijing witnessed the great impact of the western industrial revolution in the late Qing Dynasty, and became one of the cities that started the industrialization process earlier. After the rule of the Qing government, Beiyang government and the government of the Republic of China, Beijing gradually moved towards the industrial civilization from the agricultural era. Modern industrial construction has had an important impact on the evolution of Beijing’s urban pattern, architectural style and economic structure, forming the industrial architectural style with Beijing’s regional characteristics and unique heritage value. Based on systematically combing the evolution of the modern Beijing industry, the style characteristics and heritage values of modern industrial buildings in Beijing were analysed and studied to improve further the research of value systems for Beijing industrial heritage and show the diversified values of the industrial building heritage in Beijing from a more micro perspective.</span><span lang="EN-GB" style="font-size: 10pt; line-height: 16.666666px;"><o:p></o:p></span></p><p class="MsoNormalCxSpMiddle" style="font-family: Arial, sans-serif; font-size: 11pt; line-height: 18.333334px; margin: 0cm; text-align: justify;"><span lang="EN-GB"> </span></p><p class="MsoNormalCxSpMiddle" style="font-family: Arial, sans-serif; font-size: 11pt; line-height: 18.333334px; margin: 0cm; text-align: justify;"><span lang="EN-GB">- Gordon DAVIES (Cambridge Museum of Technology, England): "</span><b><span lang="EN-GB" style="line-height: 18.333334px;">An industrial tale of two cities: Filming the architecture of industry around Cambridge Museum of Technology (UK) and Athens Technopolis (Hellas)</span></b><span lang="EN-GB">"<o:p></o:p></span></p><p class="MsoNormalCxSpMiddle" style="font-family: Arial, sans-serif; font-size: 11pt; line-height: 18.333334px; margin: 0cm 0cm 0cm 36pt; text-align: justify;"><span lang="EN-GB" style="font-size: 10pt; line-height: 16.666666px;">“An Industrial Tales of Two Cities” offers a multimedia examination of 'twin’ industrial sites, which explores the question: how does the context of a ‘heritage city’ impact factors to retain, remediate, restore, redevelop or remove industrial architecture? Athens (Hellas) and Cambridge (UK) both have millennia-old (pre) industrial histories, and do not tend to be strongly associated with the Industrial Revolution of the 19th century: architecture from other periods has (historically) taken pre-eminence, especially among (tourist) guides. Yet both cities are home to significant examples of industrial heritage and host industrial museums. This presentation introduces an immersive documentary film that combines archive photography, contemporary drone videography and ambient-sound recordings, juxtaposing ‘absence’ (the redeveloped site of a former gasworks in Cambridge) with the best-preserved architectural example of the industrial-gas-making process (located in Athens). The video is commented by the producer, including explanations of the methodology behind the making of the film and descriptions of film-processing tools to explore the architecture of industry</span><span lang="EN-GB" style="font-size: 10pt; line-height: 16.666666px;">.<o:p></o:p></span></p><p class="MsoNormalCxSpMiddle" style="font-family: Arial, sans-serif; font-size: 11pt; line-height: 18.333334px; margin: 0cm; text-align: justify;"><span lang="EN-GB"> </span></p><p class="MsoNormalCxSpMiddle" style="font-family: Arial, sans-serif; font-size: 11pt; line-height: 18.333334px; margin: 0cm; text-align: justify;"><span lang="EN-GB"> </span></p><p class="MsoNormalCxSpMiddle" style="font-family: Arial, sans-serif; font-size: 11pt; line-height: 18.333334px; margin: 0cm; text-align: justify;"><b><span lang="EN-GB" style="color: #806000;">REGISTRATION:<o:p></o:p></span></b></p><p class="MsoNormalCxSpMiddle" style="font-family: Arial, sans-serif; font-size: 11pt; line-height: 18.333334px; margin: 0cm; text-align: justify;"><span lang="EN-GB">Register for FREE to get the Zoom link to the event here:<o:p></o:p></span></p><p class="MsoNormalCxSpMiddle" style="font-family: Arial, sans-serif; font-size: 11pt; line-height: 18.333334px; margin: 0cm; text-align: justify;"><span lang="EN-GB"><a href="https://www.eventbrite.co.uk/e/5th-east-west-workshop-on-industrial-archaeology-tickets-746962925217?aff=oddtdtcreator" style="color: #954f72;">https://www.eventbrite.co.uk/e/5th-east-west-workshop-on-industrial-archaeology-tickets-746962925217?aff=oddtdtcreator</a><o:p></o:p></span></p><p class="MsoNormalCxSpMiddle" style="font-family: Arial, sans-serif; font-size: 11pt; line-height: 18.333334px; margin: 0cm; text-align: justify;"><span lang="EN-GB"> </span></p><p class="MsoNormalCxSpMiddle" style="font-family: Arial, sans-serif; font-size: 11pt; line-height: 18.333334px; margin: 0cm; text-align: justify;"><span lang="EN-GB"> </span></p>Ciudadanohttp://www.blogger.com/profile/02585968705417101183noreply@blogger.com0tag:blogger.com,1999:blog-6227981296774682435.post-82483950165688586272023-04-16T02:41:00.000+02:002023-04-16T02:41:00.612+02:004th East-West Workshop on Industrial Archaeology: The Archaeology of Technology<p><span style="font-family: Arial, sans-serif; font-size: 11pt; text-align: justify;">From underground to outer space, from the 14</span><sup style="font-family: Arial, sans-serif; text-align: justify;">th</sup><span style="font-family: Arial, sans-serif; font-size: 11pt; text-align: justify;"> </span><span style="font-family: Arial, sans-serif; font-size: 11pt; text-align: justify;">to the 21</span><sup style="font-family: Arial, sans-serif; text-align: justify;">st</sup><span style="font-family: Arial, sans-serif; font-size: 11pt; text-align: justify;"> </span><span style="font-family: Arial, sans-serif; font-size: 11pt; text-align: justify;">century, the 4</span><sup style="font-family: Arial, sans-serif; text-align: justify;">th</sup><span style="font-family: Arial, sans-serif; font-size: 11pt; text-align: justify;"> </span><span style="font-family: Arial, sans-serif; font-size: 11pt; text-align: justify;">E-W Workshop on Industrial Archaeology explores the interlinkages of archaeology, technology, science and industry with cases from Australia, Asia, Europe and the Universe! This edition of the workshop revisits the original focus of industrial archaeology on the research and conservation of technology, which is expanded and revised with new geographies, chronologies, methodologies and questions.</span><span style="font-family: Arial, sans-serif; font-size: 11pt; text-align: justify;"> </span></p><p class="MsoNormalCxSpMiddle" style="font-family: Arial, sans-serif; font-size: 11pt; line-height: 18.333334px; margin: 0cm; text-align: justify;"><span lang="EN-GB">The East-West series of workshops aims to exchange ideas and knowledge among Western and Eastern colleagues to build a more international and diverse industrial archaeology. The activity is organised jointly by the Institute for Cultural Heritage and History of Science & Technology (USTB, China), and the UK Association for Industrial Archaeology together with its Young Members Board.<o:p></o:p></span></p><p class="MsoNormalCxSpMiddle" style="font-family: Arial, sans-serif; font-size: 11pt; line-height: 18.333334px; margin: 0cm; text-align: justify;"><span lang="EN-GB"><br /></span></p><p class="MsoNormalCxSpMiddle" style="font-family: Arial, sans-serif; font-size: 11pt; line-height: 18.333334px; margin: 0cm; text-align: justify;"><span lang="EN-GB"></span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_lz8DC2P9jecmn5x038woXdf2cRAocG2UEDmxbVI8NEANeigOVXrfbApOFJ3BMu8OOsjIxl3ZMWVTBFNc5gIiyCvitZlCJMPN2Rwy-Z0wzc2CbS3BzPyB4ev9nE2zl_qZmiBwMZMiYC2Ge5f1GTJSDtYWkH--9_d5089JOGqcXbmoicG2W45ZiSs5jg/s933/poster.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="933" data-original-width="700" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_lz8DC2P9jecmn5x038woXdf2cRAocG2UEDmxbVI8NEANeigOVXrfbApOFJ3BMu8OOsjIxl3ZMWVTBFNc5gIiyCvitZlCJMPN2Rwy-Z0wzc2CbS3BzPyB4ev9nE2zl_qZmiBwMZMiYC2Ge5f1GTJSDtYWkH--9_d5089JOGqcXbmoicG2W45ZiSs5jg/s16000/poster.jpg" /></a></div><br /><p></p><p class="MsoNormalCxSpMiddle" style="font-family: Arial, sans-serif; font-size: 11pt; line-height: 18.333334px; margin: 0cm; text-align: justify;"><span lang="EN-GB"> </span></p><p class="MsoNormalCxSpMiddle" style="font-family: Arial, sans-serif; font-size: 11pt; line-height: 18.333334px; margin: 0cm; text-align: justify;"><b><span lang="EN-GB" style="color: #c00000;">PLACE:<o:p></o:p></span></b></p><p class="MsoNormalCxSpMiddle" style="font-family: Arial, sans-serif; font-size: 11pt; line-height: 18.333334px; margin: 0cm; text-align: justify;"><span lang="EN-GB">Zoom (online meeting).<o:p></o:p></span></p><p class="MsoNormalCxSpMiddle" style="font-family: Arial, sans-serif; font-size: 11pt; line-height: 18.333334px; margin: 0cm; text-align: justify;"><span lang="EN-GB"> </span></p><p class="MsoNormalCxSpMiddle" style="font-family: Arial, sans-serif; font-size: 11pt; line-height: 18.333334px; margin: 0cm; text-align: justify;"><span lang="EN-GB"> </span></p><p class="MsoNormalCxSpMiddle" style="font-family: Arial, sans-serif; font-size: 11pt; line-height: 18.333334px; margin: 0cm; text-align: justify;"><b><span lang="EN-GB" style="color: #c00000;">DATE & TIME:<o:p></o:p></span></b></p><p class="MsoNormalCxSpMiddle" style="font-family: Arial, sans-serif; font-size: 11pt; line-height: 18.333334px; margin: 0cm; text-align: justify;"><span lang="EN-GB">27 May 2023, Saturday.<o:p></o:p></span></p><p class="MsoNormalCxSpMiddle" style="font-family: Arial, sans-serif; font-size: 11pt; line-height: 18.333334px; margin: 0cm; text-align: justify;"><span lang="EN-GB">10.00-12.00 GMT<o:p></o:p></span></p><p class="MsoNormalCxSpMiddle" style="font-family: Arial, sans-serif; font-size: 11pt; line-height: 18.333334px; margin: 0cm; text-align: justify;"><span lang="EN-GB"> </span></p><p class="MsoNormalCxSpMiddle" style="font-family: Arial, sans-serif; font-size: 11pt; line-height: 18.333334px; margin: 0cm; text-align: justify;"><span lang="EN-GB"> </span></p><p class="MsoNormalCxSpMiddle" style="font-family: Arial, sans-serif; font-size: 11pt; line-height: 18.333334px; margin: 0cm; text-align: justify;"><b><span lang="EN-GB" style="color: #c00000;">SPEAKERS & TALKS:<o:p></o:p></span></b></p><p class="MsoNormalCxSpMiddle" style="font-family: Arial, sans-serif; font-size: 11pt; line-height: 18.333334px; margin: 0cm; text-align: justify;"><span lang="EN-GB">- Alice GORMAN (Flinders University, Australia): "</span><b><span lang="EN-GB" style="line-height: 18.333334px;">Beyond the rocket: the archaeological study of space technology</span></b><span lang="EN-GB">"<o:p></o:p></span></p><p class="MsoNormalCxSpMiddle" style="font-family: Arial, sans-serif; font-size: 11pt; line-height: 18.333334px; margin: 0cm 0cm 0cm 36pt; text-align: justify;"><span lang="EN-GB" style="font-size: 10pt; line-height: 16.666666px;">Space archaeology is the study of the material remains of human space-related activities on Earth and on other celestial bodies. While there are many methodological commonalities with historical archaeology, such as the use of documents and oral histories to augment interpretations of the archaeological record, space archaeology has had to develop image-based methods of analysis in order to overcome the obstacles to fieldwork in space. A focus on material culture offers opportunities to investigate how humans adapt to the space environment, such as the microgravity of the International Space Station or the dust of the lunar surface, and develop distinct space cultures. However, the majority of the material record of space, from Earth orbit to interstellar space, could be considered a machine landscape produced by robots. Nonetheless these robotic space objects can be used to tell creative stories which operate outside the dominant narratives of space exploration, for example, highlighting the participation of amateurs or Indigenous people in space industry.<o:p></o:p></span></p><p class="MsoNormalCxSpMiddle" style="font-family: Arial, sans-serif; font-size: 11pt; line-height: 18.333334px; margin: 0cm; text-align: justify;"><span lang="EN-GB"> </span></p><p class="MsoNormalCxSpMiddle" style="font-family: Arial, sans-serif; font-size: 11pt; line-height: 18.333334px; margin: 0cm; text-align: justify;"><span lang="EN-GB">- Shujing FENG</span><span lang="EN-GB" style="line-height: 18.333334px;"> (National Academy of Innovation Strategy & Tsinghua University, China)</span><span lang="EN-GB">: "</span><b><span lang="EN-GB" style="line-height: 18.333334px;">Wenzhou Alum Mine from the perspective of the archaeology of technology</span></b><span lang="EN-GB">"<o:p></o:p></span></p><p class="MsoNormalCxSpMiddle" style="font-family: Arial, sans-serif; font-size: 11pt; line-height: 18.333334px; margin: 0cm 0cm 0cm 36pt; text-align: justify;"><span lang="EN-GB" style="font-size: 10pt; line-height: 16.666666px;">Wenzhou Alum Mine in Fanshan Town, Zhejiang Province (China), operated from the middle of the 14th century to December 2017 and, as an important centre of the Chinese alum industry for more than 600 years, witnessed both change and continuity in the development of alum mining and refining technology. Alum was produced in Wenzhou from the alunite ore mined in the territory, and included quarrying, calcining, weathering and steeping the ore to produce an impure solution, or liquor, of aluminium sulphate and potassium sulphate, which was then boiled at the appropriate temperature to form a concentration of alum. A review of the documentary evidence coupled with an archaeological survey of the mining and refining sites owned by the Wenzhou Alum Mine Company has enabled the site to be redefined as a complex production landscape by paying attention to the evidence for the evolution of technology used for producing alum.</span><span lang="EN-GB" style="font-size: 10pt; line-height: 16.666666px;"><o:p></o:p></span></p><p class="MsoNormalCxSpMiddle" style="font-family: Arial, sans-serif; font-size: 11pt; line-height: 18.333334px; margin: 0cm; text-align: justify;"><span lang="EN-GB"> </span></p><p class="MsoNormalCxSpMiddle" style="font-family: Arial, sans-serif; font-size: 11pt; line-height: 18.333334px; margin: 0cm; text-align: justify;"><span lang="EN-GB">- Geoffrey WALLIS (GW Conservation/Dorothea Restorations & AIA, UK)<o:p></o:p></span></p><p class="MsoNormalCxSpMiddle" style="font-family: Arial, sans-serif; font-size: 11pt; line-height: 18.333334px; margin: 0cm; text-align: justify;"><span lang="EN-GB">"</span><b><span lang="EN-GB" style="line-height: 18.333334px;">Developments in practical engineering conservation. The works of Dorothea Restorations Ltd.</span></b><span lang="EN-GB">"<o:p></o:p></span></p><p class="MsoNormalCxSpMiddle" style="font-family: Arial, sans-serif; font-size: 11pt; line-height: 18.333334px; margin: 0cm 0cm 0cm 36pt; text-align: justify;"><span lang="EN-GB" style="font-size: 10pt; line-height: 16.666666px;">Dorothea Restoration Engineers Ltd was set up in the mid 1970’s by a group of young graduates concerned about the widespread post-World War II clearance of the historic machinery which had driven the industrial revolution, and for which Britain had become a world-famous manufacturer and exporter. What started as a volunteer activity soon became a thriving business which grew to become the largest independent engineering conservation company in the UK, celebrating its half-centenary next year. This paper looks at the wide range of practical conservation projects undertaken, many of them technically or logistically difficult, some of the ethical issues encountered, how staff were trained in such a specialist field, and how modern technology is now being employed in the practical restoration and conservation of heavy machinery, traditional mills, and historic metalwork.</span></p><p class="MsoNormalCxSpMiddle" style="font-family: Arial, sans-serif; font-size: 11pt; line-height: 18.333334px; margin: 0cm; text-align: justify;"><span lang="EN-GB"> </span></p><p class="MsoNormalCxSpMiddle" style="font-family: Arial, sans-serif; font-size: 11pt; line-height: 18.333334px; margin: 0cm; text-align: justify;"><span lang="EN-GB"> </span></p><p class="MsoNormalCxSpMiddle" style="font-family: Arial, sans-serif; font-size: 11pt; line-height: 18.333334px; margin: 0cm; text-align: justify;"><b><span lang="EN-GB" style="color: #c00000;">ABOUT THE SPEAKERS:<o:p></o:p></span></b></p><p class="MsoNormalCxSpMiddle" style="font-family: Arial, sans-serif; font-size: 11pt; line-height: 18.333334px; margin: 0cm; text-align: justify;"><b><span lang="EN-GB">Dr Alice GORMAN</span></b><span lang="EN-GB"> is an internationally recognised leader in the field of space archaeology and author of the award-winning book <i>Dr Space Junk vs the Universe: Archaeology and the Future </i>(MIT Press, 2019). Her research focuses on the archaeology and heritage of space exploration, including space junk, planetary landing sites, off-earth mining, and space habitats. In 2022, she co-directed (with Justin Walsh) an archaeological survey on the International Space Station, which was the first archaeological fieldwork ever to take place outside Earth. She is an Associate Professor at Flinders University in Adelaide and a heritage consultant with over 30 years’ experience working with Indigenous communities in Australia. Gorman is also a Vice-Chair of the Global Expert Group on Sustainable Lunar Activities, a member of the Advisory Council of the Space Industry Association of Australia, and an expert member of the ICOMOS International Scientific Committee for Aeropace Heritage. Asteroid 551014 Gorman is named after her in recognition of her work in space archaeology</span><span lang="EN-GB" style="line-height: 18.333334px;">.</span><span lang="EN-GB"><o:p></o:p></span></p><p class="MsoNormalCxSpMiddle" style="font-family: Arial, sans-serif; font-size: 11pt; line-height: 18.333334px; margin: 0cm; text-align: justify;"><span lang="EN-GB"> </span></p><p class="MsoNormalCxSpMiddle" style="font-family: Arial, sans-serif; font-size: 11pt; line-height: 18.333334px; margin: 0cm; text-align: justify;"><b><span lang="EN-GB">Dr Shujing FENG </span></b><span lang="EN-GB">is </span><span lang="EN-GB" style="line-height: 18.333334px;">currently a post-doctoral fellow at Tsinghua University and the National Academy of Innovation Strategy (Chinese Academy of Science and Technology). Her research interest is industrial archaeology, industrial heritage, and the history of technology, with experience in the industrial archaeology of Wenzhou Alum Mine, the industrial heritage of Shougang (which held the latest Winter Olympics), and the value evaluation of China’s industrial heritage. She has published numerous articles and a book on these topics. She obtained her PhD degree from the University of Science and Technology Beijing in 2020 with the dissertation ‘Industrial Archaeological Research on Wenzhou Alum Mine from the Perspective of the History of Technology.’ In 2018, she was a visiting PhD student at the Ironbridge International Institute for Cultural Heritage (University of Birmingham). Her current research is supported by the China Postdoctoral Science Foundation.</span><span lang="EN-GB" style="line-height: 18.333334px;"><o:p></o:p></span></p><p class="MsoNormalCxSpMiddle" style="font-family: Arial, sans-serif; font-size: 11pt; line-height: 18.333334px; margin: 0cm; text-align: justify;"><span lang="EN-GB" style="line-height: 18.333334px;"> </span></p><p class="MsoNormalCxSpMiddle" style="font-family: Arial, sans-serif; font-size: 11pt; line-height: 18.333334px; margin: 0cm; text-align: justify;"><b><span lang="EN-US" style="line-height: 18.333334px;">Geoffrey</span></b><span lang="EN-US" style="line-height: 18.333334px;"> <b>WALLIS</b> <b>C.Eng MIMech.E</b> </span><span lang="EN-GB" style="line-height: 18.333334px;">is a mechanical engineer (Bath University) with wide expertise in the restoration and conservation of historic metalwork, machinery and traditional mills. He co-founded Dorothea Restoration Engineers Ltd. and directed the company for 30 years, before becoming a consultant (see </span><span lang="EN-GB"><a href="http://www.gwconservation.com/" style="color: #954f72;"><span style="line-height: 18.333334px;">www.gwconservation.com</span></a></span><span lang="EN-GB" style="line-height: 18.333334px;">). He has practical experience working on high-profile sites involving complex machinery and metalwork often in poor condition. Wallis has led the Architectural and Structural Metals Conservation Masterclass at West Dean College near Chichester since 2005 and lectures widely on engineering conservation to several UK universities. He has delivered metalwork-conservation courses in Britain, Myanmar, Zanzibar, and online to India, has contributed to several conservation textbooks, and has featured in TV programmes covering practical restoration projects. Geoffrey is a trustee of the Museum of Bath at Work, a founder and Director of the National Heritage Ironwork Group, a Past President of the Newcomen Society and a Council member of the Association for Industrial Archaeology, for which he founded the Young Members Board</span><span lang="EN-GB" style="line-height: 18.333334px;">.</span><span lang="EN-GB" style="line-height: 18.333334px;"><o:p></o:p></span></p><p class="MsoNormalCxSpMiddle" style="font-family: Arial, sans-serif; font-size: 11pt; line-height: 18.333334px; margin: 0cm; text-align: justify;"><span lang="EN-GB" style="line-height: 18.333334px;"><br /></span></p><p class="MsoNormalCxSpMiddle" style="font-family: Arial, sans-serif; font-size: 11pt; line-height: 18.333334px; margin: 0cm; text-align: justify;"><span lang="EN-GB" style="line-height: 18.333334px;"><br /></span></p><p class="MsoNormalCxSpMiddle" style="font-family: Arial, sans-serif; line-height: 18.333334px; margin: 0cm; text-align: justify;"><b><span lang="EN-GB" style="color: #c00000;"><span style="font-size: large;">REGISTRATION:<o:p></o:p></span></span></b></p><p class="MsoNormalCxSpMiddle" style="font-family: Arial, sans-serif; line-height: 18.333334px; margin: 0cm; text-align: justify;"><span lang="EN-GB"><span style="font-size: large;">Register for FREE to get the Zoom link to the event here:<o:p></o:p></span></span></p><p class="MsoNormalCxSpMiddle" style="font-family: Arial, sans-serif; line-height: 18.333334px; margin: 0cm; text-align: justify;"><span style="font-size: large;"><span lang="EN-GB" style="line-height: 18.333334px;"></span></span></p><p class="MsoNormalCxSpMiddle" style="font-family: Arial, sans-serif; line-height: 18.333334px; margin: 0cm; text-align: justify;"><span lang="EN-GB"><a href="https://www.eventbrite.co.uk/e/4th-east-west-workshop-on-industrial-archaeology-tickets-608294634627" style="color: #954f72;"><span style="font-size: large;">https://www.eventbrite.co.uk/e/4th-east-west-workshop-on-industrial-archaeology-tickets-608294634627</span></a></span></p><p class="MsoNormalCxSpMiddle" style="font-family: Arial, sans-serif; font-size: 11pt; line-height: 18.333334px; margin: 0cm; text-align: justify;"><br /></p><p class="MsoNormalCxSpMiddle" style="font-family: Arial, sans-serif; font-size: 11pt; line-height: 18.333334px; margin: 0cm; text-align: justify;"><br /></p>Ciudadanohttp://www.blogger.com/profile/02585968705417101183noreply@blogger.com0tag:blogger.com,1999:blog-6227981296774682435.post-8845591616053096212023-01-26T19:20:00.003+01:002023-01-26T19:20:41.245+01:00Industrial sites’ recording systems in China: Comparative analysis and contributions from Industrial Archaeology<p><span style="color: #d9ead3; font-family: trebuchet; font-size: x-small;">Artículo</span></p><p class="MsoNormal" style="margin: 0cm; text-align: justify;"><span style="font-family: trebuchet;"><b><span lang="ES"><span style="color: #d9ead3;">Autores:</span></span></b><span lang="ES"> Liu, K.; Cano Sanchiz, J. M.<o:p></o:p></span></span></p><p class="MsoNormal" style="margin: 0cm; text-align: justify;"><span style="font-family: trebuchet;"><b><span lang="ES"><span style="color: #d9ead3;">Revista:</span></span></b><span lang="ES"> <i>Science Today</i><o:p></o:p></span></span></p><p class="MsoNormal" style="margin: 0cm; text-align: justify;"><span style="font-family: trebuchet;"><b><span lang="ES"><span style="color: #d9ead3;">Número:</span></span></b><span lang="ES"><span style="color: #d9ead3;"> </span>2022.3<o:p></o:p></span></span></p><p class="MsoNormal" style="margin: 0cm; text-align: justify;"><span style="font-family: trebuchet;"><b><span lang="ES"><span style="color: #d9ead3;">Año:</span></span></b><span lang="ES"><span style="color: #d9ead3;"> </span>2022<o:p></o:p></span></span></p><p class="MsoNormal" style="margin: 0cm; text-align: justify;"><span style="font-family: trebuchet;"><b><span lang="ES"><span style="color: #d9ead3;">Páginas:</span></span></b><span lang="ES"> 77-92<o:p></o:p></span></span></p><p class="MsoNormal" style="margin: 0cm;"><span style="font-family: trebuchet;"><span lang="ES"><b><span style="color: #d9ead3;">En chino:</span></b> </span><span class="s2"><span lang="ES">刘</span></span><span class="s2"><span lang="ES">凯</span></span><span class="s2"><span lang="ES">特</span></span><span lang="ES"> Juan Manuel CANO SANCHIZ. </span><span class="s2"><span lang="ES">中国工</span></span><span class="s2"><span lang="ES">业遗</span></span><span class="s2"><span lang="ES">址</span></span><span class="s2"><span lang="ES">记录样</span></span><span class="s2"><span lang="ES">式的比</span></span><span class="s2"><span lang="ES">较</span></span><span class="s2"><span lang="ES">与</span></span><span class="s2"><span lang="ES">设计</span></span><span class="s2"><span lang="ES"> </span></span><span lang="ES">[J]. </span><span class="s2"><span lang="ES">今日科苑,</span></span><span lang="ES">2022.06</span><span class="s2"><span lang="ES">(</span></span><span lang="ES">3</span><span class="s2"><span lang="ES">):</span></span><span lang="ES">77-92</span><span lang="ES"><o:p></o:p></span></span></p><p class="MsoNormal" style="margin: 0cm;"><span style="font-family: trebuchet;"><span lang="ES"><br /></span></span></p><p class="MsoNormal" style="margin: 0cm;"><span style="font-family: trebuchet;"><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiOQ2qylDeeDoUaWdOklfVumWWK2Z6oG02ATWbGaON9XyWgUOUxr6genTPK1RkW6U0d60ur5aLDJF5xK-mF-4SqyVbXpBJqd8NPkVtLo2TBB39A9CWkkLmTHAJLOtfO0boO0bTRMxzHNP0UkWKQEx61hYu_unMTCBmJuXWUbcUf-ZyI5OQsa4gJoVvIPw/s700/Screenshot%202023-01-26%20at%2019.17.32.png" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="417" data-original-width="700" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiOQ2qylDeeDoUaWdOklfVumWWK2Z6oG02ATWbGaON9XyWgUOUxr6genTPK1RkW6U0d60ur5aLDJF5xK-mF-4SqyVbXpBJqd8NPkVtLo2TBB39A9CWkkLmTHAJLOtfO0boO0bTRMxzHNP0UkWKQEx61hYu_unMTCBmJuXWUbcUf-ZyI5OQsa4gJoVvIPw/s16000/Screenshot%202023-01-26%20at%2019.17.32.png" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Fig. 4</td></tr></tbody></table></span></p><p class="MsoNormal" style="margin: 0cm; text-align: justify;"><br /></p><p style="margin: 0cm; text-align: justify;"><span style="font-family: trebuchet;"><b><span lang="EN-US"><span style="color: #d9ead3;">ABSTRACT:</span></span></b><span lang="EN-US"> </span>The on-site recording of industrial sites is both urgent and necessary. On one hand, it can salvage precious information. On the other hand, it can support decision-making in conservation and utilization programs, as well as important data for research on relevant industrial activities. In-field data collection and recording methods of industrial sites in China are still in the stage of continuous exploration. Through the analysis of nine existing recording systems in China, this paper finds that there is a common phenomenon: the records pay more attention to the presentation of architectural forms and structures at the macro-level, and less attention is given to the footprints of changes and past activities at the micro-level. However, the latter is of key importance to interpreting the singularities of each industrial site. The introduction of the background of industrial archaeology can contribute to solving this problem. This paper tries to explore and design a recording system based on industrial archaeology, so as to promote more exhaustive and systematic data collections in industrial sites. The theoretical research is combined with field investigation and recording experience in Beijing Erqi Locomotive Factory, which is used as an example to provide a clearer explanation. <o:p></o:p></span></p><p class="MsoNormal" style="margin: 0cm; text-align: justify;"><span style="font-family: trebuchet;"><b><span lang="EN-GB"><span style="color: #d9ead3;">KEYWORDS:</span></span></b><span lang="EN-GB"> Industrial archaeology; industrial site; </span><span lang="EN-GB">data collection; field recording; industrial heritage</span></span><span lang="EN-GB" style="font-family: "Trebuchet MS", sans-serif; font-size: 11pt;"><o:p></o:p></span></p><p class="MsoNormal" style="margin: 0cm; text-align: justify;"><span style="font-family: trebuchet;"><span lang="EN-GB"><br /></span></span></p><p class="MsoNormal" style="margin: 0cm; text-align: justify;"><span style="font-family: trebuchet;"><span lang="EN-GB"><br /></span></span></p><p class="MsoNormal" style="margin: 0cm; text-align: justify;"><span style="font-family: trebuchet;"><span lang="EN-GB"><br /></span></span></p><p class="MsoNormal" style="margin: 0cm; text-align: center;"><span style="font-family: trebuchet; font-size: large;"><span lang="EN-GB"><b><a href="https://www.researchgate.net/publication/367452558_Industrial_sites'_recording_systems_in_China_Comparative_analysis_and_contributions_from_Industrial_Archaeology_in_Chinese" target="_blank">TEXTO COMPLETO</a></b></span></span></p><p class="MsoNormal" style="margin: 0cm; text-align: justify;"><span style="font-family: trebuchet;"><span lang="EN-GB"><br /></span></span></p>Ciudadanohttp://www.blogger.com/profile/02585968705417101183noreply@blogger.com0tag:blogger.com,1999:blog-6227981296774682435.post-86396472316645530432023-01-24T11:27:00.011+01:002023-01-24T11:27:59.288+01:00News about the East-West Workshops on Industrial Archaeology<p style="text-align: justify;"><span style="color: #d9ead3; font-family: trebuchet; font-size: x-small;">Artículos breves</span></p><p class="MsoNormal" style="margin: 0cm; text-align: justify;"><span lang="ES"><span style="font-family: trebuchet;"><b><span style="color: #d9ead3;">Autor:</span></b><span style="color: #00000a;"> </span><span style="color: white;">Cano Sanchiz, J. M. </span><span style="color: #00000a;"><o:p></o:p></span></span></span></p><p class="MsoNormal" style="margin: 0cm; text-align: justify;"><span style="font-family: trebuchet;"><span lang="EN-US"><b><span style="color: #d9ead3;">Artículo:</span></b><span style="color: #00000a;"> </span></span><span lang="EN-US"><span style="color: white;">“The 2nd East-West Workshop on Industrial Archaeology (The New Generation)”</span></span><span lang="EN-US" style="color: #00000a;"><o:p></o:p></span></span></p><p class="MsoNormal" style="margin: 0cm; text-align: justify;"><span style="font-family: trebuchet;"><span lang="ES-TRAD"><b><span style="color: #d9ead3;">Revista:</span></b><span style="color: #00000a;"> </span></span><i><span lang="ES"><span style="color: white;">Industrial Archaeology News</span></span></i><span lang="ES" style="color: #00000a;"><o:p></o:p></span></span></p><p class="MsoNormal" style="margin: 0cm; text-align: justify;"><span style="font-family: trebuchet;"><span lang="ES-TRAD"><b><span style="color: #d9ead3;">Páginas:</span></b><span style="color: #00000a;"> </span><span style="color: white;">21-22</span></span><span lang="ES" style="color: #00000a;"><o:p></o:p></span></span></p><p class="MsoNormal" style="margin: 0cm; text-align: justify;"><span style="font-family: trebuchet;"><span lang="ES"><b><span style="color: #d9ead3;">Número:</span></b><span style="color: #00000a;"> </span><span style="color: white;">202</span></span><span lang="ES" style="color: #00000a;"><o:p></o:p></span></span></p><p class="MsoNormal" style="margin: 0cm; text-align: justify;"><span style="font-family: trebuchet;"><span lang="ES"><b><span style="color: #d9ead3;">Año:</span></b><span style="color: #00000a;"> </span><span style="color: white;">2022</span></span><span lang="ES" style="color: #00000a;"><o:p></o:p></span></span></p><p class="MsoNormal" style="margin: 0cm; text-align: center;"><span style="font-family: trebuchet;"><span lang="ES"><span style="color: #00000a; font-size: large;"><b><a href="https://www.researchgate.net/publication/367361820_The_2nd_East-West_Workshop_on_Industrial_Archaeology_The_New_Generation" target="_blank">TEXTO COMPLETO</a></b></span></span></span></p><p class="MsoNormal" style="color: #00000a; margin: 0cm; text-align: justify;"><span lang="ES"><span style="font-family: trebuchet;"> </span></span></p><p class="MsoNormal" style="color: #00000a; margin: 0cm; text-align: justify;"><span lang="ES"><span style="font-family: trebuchet;"><br /></span></span></p><p class="MsoNormal" style="margin: 0cm; text-align: justify;"><span lang="ES"><span style="font-family: trebuchet;"><span style="color: #d9ead3;"><b>Autor</b>:</span><span style="color: #00000a;"> </span><span style="color: white;">Cano Sanchiz, J. M. </span></span></span></p><p class="MsoNormal" style="margin: 0cm; text-align: justify;"><span style="font-family: trebuchet;"><span lang="EN-US"><b><span style="color: #d9ead3;">Artículo:</span></b><span style="color: white;"> “East-West Workshop on Industrial Archaeology”</span></span><span lang="EN-US" style="color: #00000a;"><o:p></o:p></span></span></p><p class="MsoNormal" style="margin: 0cm; text-align: justify;"><span style="font-family: trebuchet;"><span lang="ES-TRAD"><b><span style="color: #d9ead3;">Revista:</span></b><span style="color: #00000a;"> </span><i><span style="color: white;">TICCIH Bulletin</span></i></span><span lang="ES" style="color: #00000a;"><o:p></o:p></span></span></p><p class="MsoNormal" style="margin: 0cm; text-align: justify;"><span style="font-family: trebuchet;"><span lang="ES-TRAD"><b><span style="color: #d9ead3;">Páginas:</span></b><span style="color: white;"> 25-26</span></span><span lang="ES" style="color: #00000a;"><o:p></o:p></span></span></p><p class="MsoNormal" style="margin: 0cm; text-align: justify;"><span style="font-family: trebuchet;"><span lang="EN-US"><span style="color: #d9ead3;"><b>Número:</b></span><span style="color: #00000a;"> </span><span style="color: white;">97</span></span><span lang="EN-US" style="color: #00000a;"><o:p></o:p></span></span></p><p class="MsoNormal" style="margin: 0cm; text-align: justify;"><span lang="EN-US"><span style="font-family: trebuchet;"><b><span style="color: #d9ead3;">Año:</span></b><span style="color: white;"> 2022</span></span></span><span lang="EN-US" style="color: #00000a; font-family: "Trebuchet MS", sans-serif;"><o:p></o:p></span></p><p class="MsoNormal" style="margin: 0cm; text-align: center;"><span lang="EN-US"><span style="font-family: trebuchet;"><span style="color: #00000a; font-size: large;"><b><a href="https://www.researchgate.net/publication/367361603_East-West_Workshop_on_Industrial_Archaeology" target="_blank">TEXTO COMPLETO</a></b></span></span></span></p><p class="MsoNormal" style="margin: 0cm; text-align: center;"><span lang="EN-US"><span style="font-family: trebuchet;"><span style="color: #00000a; font-size: large;"><br /></span></span></span></p><p class="MsoNormal" style="margin: 0cm; text-align: center;"><span lang="EN-US"><span style="font-family: trebuchet;"><span style="color: #00000a; font-size: large;"><br /></span></span></span></p>Ciudadanohttp://www.blogger.com/profile/02585968705417101183noreply@blogger.com0tag:blogger.com,1999:blog-6227981296774682435.post-25993867979342729122022-10-08T02:28:00.002+02:002022-11-07T02:03:24.631+01:003rd East-West Workshop on Industrial Archaeology: Materialising Diversity<p><span style="text-align: justify;"><span style="font-family: trebuchet;">The third edition of the East-West Workshop on Industrial Archaeology aims to strengthen diversity. We embrace diversity in a wide sense, considering, among others, its gender, generational, cultural, ethnic, racial and geographical dimensions. More weight is given on this occasion to the work of women in industrial archaeology (which aims to counterbalance the majority of male speakers in our previous meetings), while we count on a contribution from Pakistan for the first time in an international IA event. The speakers will discuss diversity and equality in industrial archaeology, the engagement of children and teenagers, the role of museums, and the chronological and geographical boundaries of the discipline.</span></span></p><p class="MsoNormalCxSpFirst" style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><span style="font-family: trebuchet;"><o:p></o:p></span></p><p class="MsoNormalCxSpMiddle" style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><o:p><span style="font-family: trebuchet;"> </span></o:p></p><p class="MsoNormalCxSpMiddle" style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><span style="font-family: trebuchet;">The East-West series of workshops aims to exchange ideas and knowledge among Western and Eastern colleagues to build a more international and diverse industrial archaeology. The activity is organised jointly by the Institute for Cultural Heritage and History of Science & Technology (USTB, China), and the UK Association for Industrial Archaeology together with its Young Members Board.<o:p></o:p></span></p><p class="MsoNormalCxSpMiddle" style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><o:p><span style="font-family: trebuchet;"> </span></o:p></p><p class="MsoNormalCxSpMiddle" style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><o:p><span style="font-family: trebuchet;"> </span></o:p></p><p class="MsoNormalCxSpMiddle" style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><b><span style="color: #d9ead3; font-family: trebuchet;">PLACE:<o:p></o:p></span></b></p><p class="MsoNormalCxSpMiddle" style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><span style="font-family: trebuchet;">Zoom (online meeting).<o:p></o:p></span></p><p class="MsoNormalCxSpMiddle" style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><o:p><span style="font-family: trebuchet;"> </span></o:p></p><p class="MsoNormalCxSpMiddle" style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><o:p><span style="font-family: trebuchet;"> </span></o:p></p><p class="MsoNormalCxSpMiddle" style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><b><span style="color: #d9ead3; font-family: trebuchet;">DATE & TIME:<o:p></o:p></span></b></p><p class="MsoNormalCxSpMiddle" style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><span style="font-family: trebuchet;">19 November, Saturday.<o:p></o:p></span></p><span style="font-family: trebuchet;"><span lang="EN-GB">10.30-12.30 (London) / 12.30-14.30 (Bucharest) / 15.30-17.30 (Islamabad) / 18.30-20.30 (Beijing)</span><span style="text-align: justify;">. </span></span><p class="MsoNormalCxSpMiddle" style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><o:p><span style="font-family: trebuchet;"> </span></o:p></p><p class="MsoNormalCxSpMiddle" style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><b><span style="color: #d9ead3; font-family: trebuchet;">SPEAKERS:<o:p></o:p></span></b></p><p class="MsoNormalCxSpMiddle" style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><span style="font-family: trebuchet;">- Penelope FOREMAN (British Museum, UK)<o:p></o:p></span></p><p class="MsoNormalCxSpMiddle" style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><span style="font-family: trebuchet;">"From classroom to boardroom: the importance of representation and engagement in industrial heritage"<o:p></o:p></span></p><p class="MsoNormalCxSpMiddle" style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><o:p><span style="font-family: trebuchet;"> </span></o:p></p><p class="MsoNormalCxSpMiddle" style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><span style="font-family: trebuchet;">- Dongdong WANG (University of Science and Technology Beijing, China)<o:p></o:p></span></p><p class="MsoNormalCxSpMiddle" style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><span style="font-family: trebuchet;">"Discussion and interpretation of mining and metallurgical cultural heritage in Chinese museums"<o:p></o:p></span></p><p class="MsoNormalCxSpMiddle" style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><o:p><span style="font-family: trebuchet;"> </span></o:p></p><p class="MsoNormalCxSpMiddle" style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><span style="font-family: trebuchet;">- Florentina-Cristina MERCIU (University of Bucharest, Romania)<o:p></o:p></span></p><p class="MsoNormalCxSpMiddle" style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><span style="font-family: trebuchet;">“Diversity in approaching proto-industrial heritage. The water mills from Rudăria area (Romania) as a case study”<o:p></o:p></span></p><p class="MsoNormalCxSpMiddle" style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><o:p><span style="font-family: trebuchet;"> </span></o:p></p><p class="MsoNormalCxSpMiddle" style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><span style="font-family: trebuchet;">- Sami ULLAH (The Urban Unit, Pakistan)<o:p></o:p></span></p><p class="MsoNormalCxSpMiddle" style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><span style="font-family: trebuchet;">“Evolution and identification of industrial archaeology in Pakistan”<o:p></o:p></span></p><p class="MsoNormalCxSpMiddle" style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><o:p><span style="font-family: trebuchet;"> </span></o:p></p><p class="MsoNormalCxSpMiddle" style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><o:p><span style="font-family: trebuchet;"> </span></o:p></p><p class="MsoNormalCxSpMiddle" style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><b><span style="color: #d9ead3; font-family: trebuchet;">REGISTRATION:<o:p></o:p></span></b></p><p class="MsoNormalCxSpMiddle" style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><span style="font-family: trebuchet;">Register for FREE to get the Zoom link to the event here:<o:p></o:p></span></p><p class="MsoNormalCxSpMiddle" style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><span style="font-family: trebuchet;"><a href="https://www.eventbrite.co.uk/e/3rd-east-west-workshop-on-industrial-archaeology-materialising-diversity-tickets-432486136677" style="color: #954f72;"><span lang="PT-BR">https://www.eventbrite.co.uk/e/3rd-east-west-workshop-on-industrial-archaeology-materialising-diversity-tickets-432486136677</span></a><span lang="PT-BR"><o:p></o:p></span></span></p><p class="MsoNormalCxSpMiddle" style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><span lang="PT-BR"><span style="font-family: trebuchet;"> </span></span></p><p class="MsoNormalCxSpMiddle" style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><span lang="PT-BR"><span style="font-family: trebuchet;"> </span></span></p><p class="MsoNormalCxSpMiddle" style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><span lang="PT-BR"></span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhCNgvcQEuB1WounDAbsJpseW9EI49XKaIaEdyJJluHwOwCI5_ENcnAGiwo1lQfo1R5gJKlVGaItnJjwZSO0NsqnOiJZEC-3HMd8ojLMGl1xGN_eko6PtnyMq1cUc-D0M-DnpSmoVYJdRuUbxTKpDXGTgQvCFLn-7TYPVyJ3qrLE5tQynOxoBASCnSORg/s933/poster.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="933" data-original-width="700" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhCNgvcQEuB1WounDAbsJpseW9EI49XKaIaEdyJJluHwOwCI5_ENcnAGiwo1lQfo1R5gJKlVGaItnJjwZSO0NsqnOiJZEC-3HMd8ojLMGl1xGN_eko6PtnyMq1cUc-D0M-DnpSmoVYJdRuUbxTKpDXGTgQvCFLn-7TYPVyJ3qrLE5tQynOxoBASCnSORg/s16000/poster.jpg" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><br /></div><br /><span style="font-family: trebuchet;"><br /></span><p></p><p class="MsoNormalCxSpMiddle" style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><span lang="PT-BR"><span style="font-family: trebuchet;"><br /></span></span></p><p class="MsoNormalCxSpMiddle" style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><b><span style="color: #d9ead3; font-family: trebuchet;">ABOUT THE SPEAKERS:<o:p></o:p></span></b></p><p class="MsoNormalCxSpMiddle" style="line-height: 18.333334px; margin: 0cm 0cm 0.0001pt; text-align: justify;"><span style="font-family: trebuchet;"><b>Penelope FOREMAN</b> is an archaeologist and museum engagement specialist, who focuses on working on community-led heritage projects that give marginalised and minority communities a voice and platform to share their cultural heritage. Her archaeological expertise is in the megaliths of the European Neolithic (PhD Bournemouth 2019) and the preservation of industrial heritage, particularly mines and railways. She is currently the national lead on the Culture Bus schools programme for the British Museum, as well as sitting on the board of the Chartered Institute for Archaeologists and a trustee of the National Coal Mining Museum for England.<o:p></o:p></span></p><p class="MsoNormalCxSpMiddle" style="line-height: 18.333334px; margin: 0cm 0cm 0.0001pt; text-align: justify;"><o:p><span style="font-family: trebuchet;"> </span></o:p></p><p class="MsoNormalCxSpMiddle" style="line-height: 18.333334px; margin: 0cm 0cm 0.0001pt; text-align: justify;"><span style="font-family: trebuchet;"><b>Dongdong WANG </b>is an associate professor at the Institute for Cultural Heritage and History of Science & Technology (University of Science and Technology Beijing, China). She holds BA and MA Degrees in Chinese Archaeology (Peking University, China), and MA and PhD Degrees in Cultural Resource Management (Kazanawa University, Japan). Her research interests are Chinese and Japanese cultural resource management, archaeological site conservation and utilisation, community participation in site conservation, and industrial archaeology and heritage.<o:p></o:p></span></p><p class="MsoNormalCxSpMiddle" style="line-height: 18.333334px; margin: 0cm 0cm 0.0001pt; text-align: justify;"><o:p><span style="font-family: trebuchet;"> </span></o:p></p><p class="MsoNormalCxSpMiddle" style="line-height: 18.333334px; margin: 0cm 0cm 0.0001pt; text-align: justify;"><span style="font-family: trebuchet;"><b>Florentina-Cristina MERCIU </b>is an assistant professor at the Faculty of Geography, University of Bucharest, Romania. Her research interests are concerned with the context of industrial heritage regeneration and urban development of former industrial areas through a cultural approach. <o:p></o:p></span></p><p class="MsoNormalCxSpMiddle" style="line-height: 18.333334px; margin: 0cm 0cm 0.0001pt; text-align: justify;"><o:p><span style="font-family: trebuchet;"> </span></o:p></p><p class="MsoNormalCxSpMiddle" style="line-height: 18.333334px; margin: 0cm 0cm 0.0001pt; text-align: justify;"><span style="font-family: trebuchet;"><b>Sami ULLAH</b> works as a Project Officer (Archaeology) for The Urban Unit, a renowned governmental company from Pakistan. He has dug archaeological sites of Pakistan’s Islamic, Indus, Buddhist and Hindu periods. He holds a Gold Medal and Master’s Degree in Archaeology from the University of Punjab, Lahore. He is currently working on the identification of industrial heritage in Pakistan. </span><span face="Arial, sans-serif" style="font-size: 11pt;"><o:p></o:p></span></p><p class="MsoNormalCxSpMiddle" style="line-height: 18.333334px; margin: 0cm 0cm 0.0001pt; text-align: justify;"><span style="font-family: trebuchet;"><br /></span></p><p class="MsoNormalCxSpMiddle" style="line-height: 18.333334px; margin: 0cm 0cm 0.0001pt; text-align: justify;"><span style="font-family: trebuchet;"><br /></span></p>Ciudadanohttp://www.blogger.com/profile/02585968705417101183noreply@blogger.com0tag:blogger.com,1999:blog-6227981296774682435.post-40798485470913590802022-07-16T02:47:00.006+02:002022-07-16T02:49:46.994+02:00Vía verde del Guadiato y los Pedroches<div style="text-align: justify;"><span style="font-family: trebuchet;">No dejes de visitarla la próxima vez que andes por el norte de la provincia de Córdoba (España).</span></div><div style="text-align: justify;"><span style="font-family: trebuchet;">Gran trabajo desarrollado por la asociación <i><a href="http://lamaquinilla.blogspot.com" target="_blank">La Maquinilla</a></i> y otras entidades colaboradoras.</span></div><div><br /></div><iframe frameborder="0" height="270" src="https://youtube.com/embed/C6KUK1DO5_A" width="480"></iframe>Ciudadanohttp://www.blogger.com/profile/02585968705417101183noreply@blogger.com0tag:blogger.com,1999:blog-6227981296774682435.post-22159820683004081582022-06-18T01:36:00.000+02:002022-06-18T01:36:12.722+02:00Elsecar 1880<iframe width="480" height="270" src="https://youtube.com/embed/6KYqMX5EfGs" frameborder="0"></iframe>Ciudadanohttp://www.blogger.com/profile/02585968705417101183noreply@blogger.com0tag:blogger.com,1999:blog-6227981296774682435.post-35891772213619733412022-04-30T12:36:00.000+02:002022-04-30T12:36:17.011+02:00The Landscapes, Cultures and Heritage Values of Abandoned Mining Sites<div style="text-align: left;"><span style="color: #d9ead3; font-family: trebuchet; font-size: x-small;">Artículo</span></div><div style="text-align: left;"><span style="font-family: trebuchet;"><br /></span><span style="font-family: trebuchet;"><a name="__DdeLink__12265_4001399499"><b><span style="color: #d9ead3;">Autores</span></b></a>: Cano Sanchiz, J. M.; Wang, D.<br /></span><span style="font-family: trebuchet;"><span style="color: #d9ead3;"><b>Revista</b>:</span> <i>Landscape Architecture<br /></i></span><span style="font-family: trebuchet;"><span style="color: #d9ead3;"><b>Número</b>:</span> 29.4<br /></span><span style="font-family: trebuchet;"><b><span style="color: #d9ead3;">Año:</span> </b>2022<br /></span><span style="font-family: trebuchet;"><span style="color: #d9ead3;"><b>Páginas</b>:</span> 67-76<br /></span><span style="font-family: trebuchet;"><br /><br /></span><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhlfqEn4IDBZybCIbum0Yg3UptDLMRdxOGHmquo1zGwyIBaryOsnq1ztNa6SXBTYD78VWQOmCMx22cnuus0vYQJyuFtX1tMe9VXFr-8o0mqajhHqmT4Kh971iVkyVgN10SKEghMFTeh0ETKL6N2PabtUvl_o-5eKekYBsAf84c4CuWXjYLVj2U-Law_KA/s700/1-1.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="463" data-original-width="700" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhlfqEn4IDBZybCIbum0Yg3UptDLMRdxOGHmquo1zGwyIBaryOsnq1ztNa6SXBTYD78VWQOmCMx22cnuus0vYQJyuFtX1tMe9VXFr-8o0mqajhHqmT4Kh971iVkyVgN10SKEghMFTeh0ETKL6N2PabtUvl_o-5eKekYBsAf84c4CuWXjYLVj2U-Law_KA/s16000/1-1.jpg" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Corta Atalaya (Huelva, Spain), once the largest open-pit exploitation in Europe (Figure 1)</td></tr></tbody></table><br /><b><span style="font-family: trebuchet;"> <br /></span></b><span style="font-family: trebuchet;"><b><span style="color: #d9ead3;">ABSTRACT:</span></b> Mining is one of the oldest human activities and, together with the associated production of metals, it has often been considered a major agent of civilisation and national development. As a global activity, the footprints of the extractive industry are to be found everywhere in the world, especially as abandoned mining sites. In this article, we understand the mining landscape in a double sense. On one hand, as a material document that can inform us about the mining culture and its evolution. On the other hand, as a complex multi-temporal site shaped jointly by nature and humans. Based on this double perception, this paper has two aims. 1) To read the landscape as a palimpsest that can show how mining activities and the remains of the mining past shape human groups and cultures. 2) To critically discuss the features and values of these landscapes as heritage in service of the contemporary society. In doing so, we combine perspectives of archaeology, ethnography and industrial heritage studies to consider several examples from different types (metallic and non-metallic mining, underground and open-pit mining), chronologies (ancient, modern and contemporary) and geographies (almost every continent in the globe). Our main conclusion is that, despite the singularities of each case, it is possible to define the landscapes of abandoned mining operations and its specific cultures as territories of globalisation that embody a series of heritage values, such as ecological, theoretical, technological, economic, historical, pedagogical, aesthetic, social and human ones. <br /></span><span style="font-family: trebuchet;"><b><span style="color: #d9ead3;">KEYWORDS:</span></b> Industrial heritage; mining landscape; mining culture; mining heritage; globalisation.</span></div><p style="text-align: left;"><br /></p><p style="text-align: center;"><b><span style="font-size: x-large;"><a href="https://www.researchgate.net/publication/360270819_The_Landscapes_Cultures_and_Heritage_Values_of_Abandoned_Mining_Sites?_sg%5B0%5D=Pzv3ACTsua4u_MYsWCTgMpyKkcz3ZVOyZR4LUXy3sRLFQhzofdojMLf316fy5efmIK-OX2VzU69YbxhULjo3uqsGQWGOqVXtmzbfCwTg.aabmlO35Am8zsYoovW5UkHyWTg4JBcZBDBn9eb9LeC-US07g9YS2gX1ljCB5RQOGbwrITkDspO_LGjr5jCoZcQ" target="_blank">TEXTO COMPLETO</a></span></b></p><p style="text-align: left;"><br /></p>Ciudadanohttp://www.blogger.com/profile/02585968705417101183noreply@blogger.com0tag:blogger.com,1999:blog-6227981296774682435.post-76762409497497758212022-04-30T12:22:00.003+02:002022-04-30T12:23:16.565+02:00AIA goes international<p><span style="color: #d9ead3; font-family: trebuchet; font-size: small;">Artículo breve</span></p><div style="text-align: left;"><span style="font-family: trebuchet;"><b><span lang="ES"><span style="color: #d9ead3;">Autor</span></span></b><span lang="ES"><span style="color: #d9ead3;">: </span>Cano Sanchiz, J. M.<br /><o:p></o:p></span></span><span style="font-family: trebuchet;"><b><span lang="ES"><span style="color: #d9ead3;">Revista</span></span></b><span lang="ES"><span style="color: #d9ead3;">:</span> <i>Industrial Archaeology <o:p></o:p></i></span><i>News<br /></i></span><span style="font-family: trebuchet;"><b><span lang="ES"><span style="color: #d9ead3;">Número</span></span></b><span lang="ES">: 200<br /><o:p></o:p></span></span><span style="font-family: trebuchet;"><b><span lang="ES"><span style="color: #d9ead3;">Año: </span></span></b><span lang="ES">2022<br /></span></span><b style="font-family: trebuchet;"><span lang="ES"><span style="color: #d9ead3;">Página</span></span></b><span lang="ES" style="font-family: trebuchet;"><span style="color: #d9ead3;">:</span> 12</span></div><p class="MsoNormalCxSpMiddle" style="text-align: justify;"><span lang="ES"><span style="font-family: trebuchet;"><br /></span></span></p><p class="MsoNormalCxSpMiddle" style="text-align: center;"><span lang="ES"><span style="font-family: trebuchet; font-size: x-large;"><b><a href="https://www.researchgate.net/publication/360270303_AIA_goes_international?_sg%5B0%5D=fMAl2HPeGGAwtzIgmcOa5XZ97D6-ZTVBu3x73ACaQpBq3FTQ4OFheAYgDEJHnQCRNODqiWpd7z0mFrmBw8UTXabcXx0bxxiw52suSwoh.j7vDuH_Ci_ZOAgKLM9M8W5xLfaEAL0TcLp_zWh6ttDWbCqDespeW-01dU9OU2HkqL6xgUFZ7IooWXfAb6uXT4g">TEXTO COMPLETO</a></b></span></span></p><p class="MsoNormalCxSpMiddle" style="text-align: center;"><br /></p>Ciudadanohttp://www.blogger.com/profile/02585968705417101183noreply@blogger.com0tag:blogger.com,1999:blog-6227981296774682435.post-70820816125578167172022-03-20T02:00:00.000+01:002022-03-20T02:00:12.572+01:002nd East-West Workshop on Industrial Archaeology - the new generation<p style="text-align: justify;"> </p><p class="MsoNormalCxSpFirst" style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><span style="font-family: trebuchet;">After the motivating results achieved by the <i><a href="https://oia.ustb.edu.cn/NEWSEVENTS/NEWS/9187979759a64c82b6a2ece194d0c5ab.htm" target="_blank">1st East-West Workshop on Industrial Archaeology: introducing the archaeology of the industrial society</a></i> in 2021, we are now launching a second edition focused on the work of young people in academic and professional industrial archaeology. <o:p></o:p></span></p><p class="MsoNormalCxSpMiddle" style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><o:p><span style="font-family: trebuchet;"> </span></o:p></p><p class="MsoNormalCxSpMiddle" style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><span style="font-family: trebuchet;">The East-West series of workshops aims to exchange ideas and knowledge among Western and Eastern colleagues to build a more international and diverse industrial archaeology. In order to broaden perspectives, this edition also includes Brazil and the Global South in the conversations.<o:p></o:p></span></p><p class="MsoNormalCxSpMiddle" style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><o:p><span style="font-family: trebuchet;"> </span></o:p></p><p class="MsoNormalCxSpMiddle" style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><span style="font-family: trebuchet;">The activity is organised jointly by the Institute for Cultural Heritage and History of Science & Technology (USTB, China), and the UK Association for Industrial Archaeology together with its Young Members Board.<o:p></o:p></span></p><p class="MsoNormalCxSpMiddle" style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><o:p><span style="font-family: trebuchet;"> </span></o:p></p><p class="MsoNormalCxSpMiddle" style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><b><span style="font-family: trebuchet;"><span style="color: #d9ead3;">PLACE:</span><o:p></o:p></span></b></p><p class="MsoNormalCxSpMiddle" style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><span style="font-family: trebuchet;">Zoom (online meeting).<o:p></o:p></span></p><p class="MsoNormalCxSpMiddle" style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><o:p><span style="font-family: trebuchet;"> </span></o:p></p><p class="MsoNormalCxSpMiddle" style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><b><span style="font-family: trebuchet;"><span style="color: #d9ead3;">DATE & TIME:</span><o:p></o:p></span></b></p><p class="MsoNormalCxSpMiddle" style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><span style="font-family: trebuchet;">21 May, Saturday.<o:p></o:p></span></p><p class="MsoNormalCxSpMiddle" style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><span style="font-family: trebuchet;">06.30-08.30 (Brasilia time) / 10.30-12.30 (London and Lisbon time) / 17.30-19.30 (Beijing time).<o:p></o:p></span></p><p class="MsoNormalCxSpMiddle" style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><o:p><span style="font-family: trebuchet;"> </span></o:p></p><p class="MsoNormalCxSpMiddle" style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><b><span style="font-family: trebuchet;"><span style="color: #d9ead3;">SPEAKERS:</span><o:p></o:p></span></b></p><p class="MsoNormalCxSpMiddle" style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><span style="font-family: trebuchet;">- Yuchen Wang (University of Science and Technology Beijing)<o:p></o:p></span></p><p class="MsoNormalCxSpMiddle" style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><span style="font-family: trebuchet;">"Electronic industry heritage: the example of the Chinese display industry"<o:p></o:p></span></p><p class="MsoNormalCxSpMiddle" style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><o:p><span style="font-family: trebuchet;"> </span></o:p></p><p class="MsoNormalCxSpMiddle" style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><span style="font-family: trebuchet;">- Otis Gilbert (Wessex Archaeology)<o:p></o:p></span></p><p class="MsoNormalCxSpMiddle" style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><span style="font-family: trebuchet;">"Digging industrial Britain: two case studies from Sheffield and Normanton"<o:p></o:p></span></p><p class="MsoNormalCxSpMiddle" style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><o:p><span style="font-family: trebuchet;"> </span></o:p></p><p class="MsoNormalCxSpMiddle" style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><span style="font-family: trebuchet;">- Mário Bruno Pastor (Portuguese Catholic University)<o:p></o:p></span></p><p class="MsoNormalCxSpMiddle" style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><span style="font-family: trebuchet;">"The Millano’s woollen mills in Portugal: an archaeology of absence"<o:p></o:p></span></p><p class="MsoNormalCxSpMiddle" style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><o:p><span style="font-family: trebuchet;"> </span></o:p></p><p class="MsoNormalCxSpMiddle" style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><span style="font-family: trebuchet;">- Tiago Silva Alves Muniz (Federal University of Pará)<o:p></o:p></span></p><p class="MsoNormalCxSpMiddle" style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><span style="font-family: trebuchet;">"Rubber industrial complex and entanglements at Brazilian Amazon"<o:p></o:p></span></p><p class="MsoNormalCxSpMiddle" style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><o:p><span style="font-family: trebuchet;"> </span></o:p></p><p class="MsoNormalCxSpMiddle" style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><b><span style="font-family: trebuchet;"><span style="color: #d9ead3;">REGISTRATION:</span><o:p></o:p></span></b></p><p class="MsoNormalCxSpMiddle" style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><span style="font-family: trebuchet;">Register for FREE to get the Zoom link to the event <a href="https://www.eventbrite.co.uk/e/2nd-east-west-workshop-on-industrial-archaeology-the-new-generation-tickets-301362883497" target="_blank">here</a></span></p><p class="MsoNormalCxSpMiddle" style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><br /></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEjUBEmGA6nkPI0_Xd08QA56inHPB-6y6eyayHsmlVl9FQ87KpMwW75Zyw5NxrGJk43glwYFgLI8SK0mf0nnNOcWC3M3E9reHevTWO7p8kgDLcMkLNuziV2ld8_kFdaZ74-_2rKN8eUlscRdti1fvEMw12nqWLamGBKL8mH8H2zUgYUetA3_DCwof0VaNg=s933" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="933" data-original-width="700" src="https://blogger.googleusercontent.com/img/a/AVvXsEjUBEmGA6nkPI0_Xd08QA56inHPB-6y6eyayHsmlVl9FQ87KpMwW75Zyw5NxrGJk43glwYFgLI8SK0mf0nnNOcWC3M3E9reHevTWO7p8kgDLcMkLNuziV2ld8_kFdaZ74-_2rKN8eUlscRdti1fvEMw12nqWLamGBKL8mH8H2zUgYUetA3_DCwof0VaNg=s16000" /></a></div><br /><p class="MsoNormalCxSpMiddle" style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><br /></p>Ciudadanohttp://www.blogger.com/profile/02585968705417101183noreply@blogger.com0tag:blogger.com,1999:blog-6227981296774682435.post-58360651820943951382022-02-02T01:24:00.002+01:002022-02-02T01:24:24.122+01:00DOCUMENTA - patrimonio industrial de Córdoba<div><br /></div><div><br /></div><div><br /></div><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen="" class="BLOG_video_class" height="266" src="https://www.youtube.com/embed/m4M-HqQ21UQ" width="320" youtube-src-id="m4M-HqQ21UQ"></iframe></div><br /><div><br /></div><div><br /></div>Ciudadanohttp://www.blogger.com/profile/02585968705417101183noreply@blogger.com0tag:blogger.com,1999:blog-6227981296774682435.post-27474652775588795512022-01-12T02:05:00.001+01:002022-01-12T02:05:17.260+01:00Spaces and roles of contemporary art in industrial and technological ruins<p class="MsoNormalCxSpFirst" style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><a name="__DdeLink__12265_4001399499"><span lang="ES"><span style="color: #d9ead3; font-family: trebuchet; font-size: x-small;">Artículo</span></span></a></p><p class="MsoNormalCxSpFirst" style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><a name="__DdeLink__12265_4001399499"><b><span lang="ES"><span style="font-family: trebuchet;"><br /></span></span></b></a></p><p class="MsoNormalCxSpFirst" style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><span style="font-family: trebuchet;"><a name="__DdeLink__12265_4001399499"><b><span lang="ES"><span style="color: #d9ead3;">Autor</span></span></b></a><span lang="ES"><span style="color: #d9ead3;">:</span> Cano Sanchiz, J. M.<o:p></o:p></span></span></p><p class="MsoNormalCxSpMiddle" style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><span style="font-family: trebuchet;"><b><span lang="ES"><span style="color: #d9ead3;">Revista</span></span></b><span lang="ES"><span style="color: #d9ead3;">:</span> <i>Arte, Individuo y Sociedad</i><o:p></o:p></span></span></p><p class="MsoNormalCxSpMiddle" style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><span style="font-family: trebuchet;"><b><span lang="ES"><span style="color: #d9ead3;">Número</span></span></b><span lang="ES"><span style="color: #d9ead3;">:</span> 34.1<o:p></o:p></span></span></p><p class="MsoNormalCxSpMiddle" style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><span style="font-family: trebuchet;"><b><span lang="ES"><span style="color: #d9ead3;">Año: </span></span></b><span lang="ES">2022<o:p></o:p></span></span></p><p class="MsoNormalCxSpMiddle" style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><span style="font-family: trebuchet;"><b><span lang="ES"><span style="color: #d9ead3;">Páginas</span></span></b><span lang="ES"><span style="color: #d9ead3;">:</span> 85-107</span><span lang="ES"><o:p></o:p></span></span></p><p class="MsoNormalCxSpMiddle" style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><br /></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEjFpyOau4hwp-Gqk5VMCCtili6_ACX-O09_k4OcuOedhRFA3cvKxtqOVT1TXOxhJJGix-qcSK4x7k5ZtkxIypWCoTqpiWp2cQQEFDgMuivuBaNqHBtBMSc0-PXkoizY2tIXHEKqsoGghH2D81Jk8A2eKCGUnQwgmLpm9nL1UC8XeM6HrIjVOFZ5HA3IPQ=s700" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="519" data-original-width="700" src="https://blogger.googleusercontent.com/img/a/AVvXsEjFpyOau4hwp-Gqk5VMCCtili6_ACX-O09_k4OcuOedhRFA3cvKxtqOVT1TXOxhJJGix-qcSK4x7k5ZtkxIypWCoTqpiWp2cQQEFDgMuivuBaNqHBtBMSc0-PXkoizY2tIXHEKqsoGghH2D81Jk8A2eKCGUnQwgmLpm9nL1UC8XeM6HrIjVOFZ5HA3IPQ=s16000" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Chinese creative hubs in former industrial estates (Figure 4)</td></tr></tbody></table><br /><p class="MsoNormalCxSpMiddle" style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><br /></p><p class="MsoNormalCxSpMiddle" style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><span style="font-family: trebuchet;"><b><span lang="ES"><span style="color: #d9ead3;">RESUMEN:</span> </span></b><span lang="ES">Este artículo propone algunas contribuciones potenciales del arte contemporáneo a los debates sobre patrimonio industrial y tecnológico. El trabajo analiza las relaciones entre arte, ruinas industriales, basura tecnológica, patrimonio y sociedad en perspectiva arqueológica, aunque este punto de vista es comparado y completado con aquellos del arte y la historia del arte. En primer lugar, el texto expone cómo los sitios industriales y los artefactos tecnológicos del pasado reciente son transformados por/para los artistas. Para tal, ofrece una tipología básica y preliminar de relaciones entre arte y obsolescencia ilustrada con casos de Europa, Asia y las Américas. Se presentan cuatro tipos diferentes de intervenciones: la conversión de edificios industriales abandonados en galerías y museos de arte; la transformación de parques industriales/tecnológicos obsoletos en centros de creación; la intervención de artistas en ruinas industriales; y el reciclado creativo de basura tecnológica. En segundo lugar, el texto infiere a partir de los ejemplos ofrecidos en la tipología tres posibles funciones del arte en relación con el patrimonio: revelación/adición de valor; mediación entre el público y los patrimonios oscuros; y reconocimiento en las historias de la tecnología y de la industria. Finalmente, el artículo defiende el papel del arte en la construcción del patrimonio industrial y tecnológico, así como en su reconexión con la sociedad.</span><b><span lang="ES"><o:p></o:p></span></b></span></p><p class="MsoNormalCxSpLast" style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><span style="font-family: trebuchet;"><b><span lang="ES"><span style="color: #d9ead3;">PALABRAS CLAVE:</span> </span></b><span lang="ES">Espacios artísticos; arte supra-reciclado; patrimonio industrial; reutilización.</span><span lang="ES"><o:p></o:p></span></span></p><p style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><b><span style="font-family: trebuchet;"> </span></b></p><p class="MsoNormalCxSpFirst" style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><span style="font-family: trebuchet;"><b><span style="color: #d9ead3;">ABSTRACT:</span></b> This article proposes some potential contributions of contemporary art to industrial and technological heritage discussions. The paper analyses the relationships between art, industrial ruins, technological trash, heritage and society from an archaeological perspective, and this viewpoint is compared to and complemented with those of art and art history. First, the text examines how industrial sites and technological artefacts from the recent past are transformed for/by the artists. In doing so, it offers a preliminary basic typology of art-obsolescence interactions, illustrated with cases from Europe, Asia and the Americas. Four major kinds of interactions are introduced: the conversion of abandoned industrial buildings into art galleries and museums; the transformation of larger obsolete industrial/ technological areas into creative hubs; the intervention of artists in industrial ruins; and the creative recycling of technological waste. Second, the text infers from the examples provided in the typology three possible functions of art regarding heritage: revelation/addition of value; mediation between the public and dark heritages; and recognition in technological and industrial history. Finally, the paper defends the role of art in the making of industrial and technological heritages, as well as in reconnecting them to society. </span></p><p class="MsoNormalCxSpFirst" style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><span style="font-family: trebuchet;"><b><span lang="ES"><span style="color: #d9ead3;">KEYWORDS:</span></span></b><span lang="ES"> </span>Art spaces; upcycling art; industrial heritage; adaptive reuse.<span style="text-align: left;"> </span></span></p><p class="MsoNormalCxSpFirst" style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><span style="font-family: trebuchet;"><span style="text-align: left;"><br /></span></span></p><p class="MsoNormalCxSpFirst" style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><span style="font-family: trebuchet;"><span style="text-align: left;"><br /></span></span></p><p class="MsoNormalCxSpFirst" style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><span style="font-family: trebuchet;"><span style="text-align: left;"><br /></span></span></p><p class="MsoNormalCxSpFirst" style="margin: 0cm 0cm 0.0001pt; text-align: center;"><span style="font-family: trebuchet; font-size: x-large;"><span style="text-align: left;"><b><a href="https://revistas.ucm.es/index.php/ARIS/article/view/72669">TEXTO COMPLETO</a></b></span></span></p><p class="MsoNormalCxSpFirst" style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><span style="font-family: trebuchet;"><span style="text-align: left;"><br /></span></span></p><p class="MsoNormalCxSpFirst" style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><span style="font-family: trebuchet;"><span style="text-align: left;"><br /></span></span></p>Ciudadanohttp://www.blogger.com/profile/02585968705417101183noreply@blogger.com0tag:blogger.com,1999:blog-6227981296774682435.post-22859351477532676332021-12-26T01:08:00.000+01:002021-12-26T01:08:10.391+01:00Hubei Cement Site Museum<p><span style="font-family: trebuchet;">Algunos de los últimos avances en la reactivación de la antigua fábrica de cemento Huaxin, Hubei (China)</span></p><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEhQCPdMPkYKe8hOLdkDiDO4M6d1weN9VHNlAZuYfqrqHHwxQIJO6wlgUlbFKva-_eNRVcP9R2TFJ6ib1YXTrKIuy5M0Z7F7XbEfODkFpa5hDIsg3Eb9xL4RvJdxVkAKw2lxesOTSt195CiE2YQflgfYTGh60byc2G_TIsTkYrtTntKijJTYVpAJ7A1cfw=s700" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="525" data-original-width="700" src="https://blogger.googleusercontent.com/img/a/AVvXsEhQCPdMPkYKe8hOLdkDiDO4M6d1weN9VHNlAZuYfqrqHHwxQIJO6wlgUlbFKva-_eNRVcP9R2TFJ6ib1YXTrKIuy5M0Z7F7XbEfODkFpa5hDIsg3Eb9xL4RvJdxVkAKw2lxesOTSt195CiE2YQflgfYTGh60byc2G_TIsTkYrtTntKijJTYVpAJ7A1cfw=s16000" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEjZ8YVnzEzfQ_qq5bnrT1AOxZO-rOj3PEQ5gZkl4EtBhL0Qb1G6FiXyYgsquuDILMx6Avb2MRccDcGvrjUJy3BiRKfc6_IZyEFMrKn3WU7XdtX8y6gnT7b17eZ4LkcHRa_eb6cCDDvGV9ipvqBtknU1yDlmFdl1Kj85fQdPPUJrfAtWECPInxGeic_jwA=s933" imageanchor="1" style="margin-left: 1em; 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text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEjhMVHXt43mNa5EI2S_gYqXnxfg-8PIoAmP4TgM_PyiatoImky5Yi_7_5vRqwIr09rPe3b8xrIOgN3YRJ0ESIYpdA0VhFhTj2Cm8AX6a7gbJC50UHBi7mcO7jMAxyBvZ78KjJqUjgmjNtRUVfznTKRQS-QxG5Wo8iQB3NDYmGJsNhj80CKHDFZEZbE2uA=s700" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="363" data-original-width="700" src="https://blogger.googleusercontent.com/img/a/AVvXsEjhMVHXt43mNa5EI2S_gYqXnxfg-8PIoAmP4TgM_PyiatoImky5Yi_7_5vRqwIr09rPe3b8xrIOgN3YRJ0ESIYpdA0VhFhTj2Cm8AX6a7gbJC50UHBi7mcO7jMAxyBvZ78KjJqUjgmjNtRUVfznTKRQS-QxG5Wo8iQB3NDYmGJsNhj80CKHDFZEZbE2uA=s16000" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEgCa9AQ6slydvH5_c-0e_ZxEaAQd6zuExsN4HqRyz7gJ3wEGK5hnxne8x_CIL12Xlw4gu09mLn6ORxFKQCck8BEQhCwyuqOferer3We4J5U4GQPxmPLmOfuiOXWu2Li4cDRYZObMGeylREubLjSBWVcGHK235eJpvVAJd3Motx0_MF91_Gb8Gf_v6QrNQ=s933" imageanchor="1" style="margin-left: 1em; 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text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEhQOv2zxET5ZVKqtxk_6utlxfdMViFIVOAJjpUe5WGhb5UkIFjEP6VfAU2YV1Jvm8L-VV3TimE9CrwywjUAEJ8l_R6l7XQDT8BiYQ7qIxe_ZMORTZYpUVNbzhR7_i29ZcdWbG-OzWa3hAGdoukBdfYv1aMLNR6-Wk8-jvcmGyiNTFXuuWHB4NtLPCYWrA=s933" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="933" data-original-width="700" src="https://blogger.googleusercontent.com/img/a/AVvXsEhQOv2zxET5ZVKqtxk_6utlxfdMViFIVOAJjpUe5WGhb5UkIFjEP6VfAU2YV1Jvm8L-VV3TimE9CrwywjUAEJ8l_R6l7XQDT8BiYQ7qIxe_ZMORTZYpUVNbzhR7_i29ZcdWbG-OzWa3hAGdoukBdfYv1aMLNR6-Wk8-jvcmGyiNTFXuuWHB4NtLPCYWrA=s16000" /></a></div><br /><span style="font-family: trebuchet;"><br /></span><p></p>Ciudadanohttp://www.blogger.com/profile/02585968705417101183noreply@blogger.com0tag:blogger.com,1999:blog-6227981296774682435.post-17847716911385585542021-10-06T03:02:00.000+02:002021-10-06T03:02:15.458+02:00Últimas presentaciones<div><span lang="ES" style="font-family: "Trebuchet MS", sans-serif; text-align: justify;"><br /></span><span lang="ES" style="font-family: "Trebuchet MS", sans-serif; text-align: justify;"><b><span style="color: #d9ead3;">Título</span></b></span><span style="font-family: "Trebuchet MS", sans-serif; text-align: justify;"><b><span style="color: #d9ead3;">:</span></b> </span><i style="text-align: justify;"><span lang="PT-BR" style="font-family: "Trebuchet MS", sans-serif;">Patrimônio e arquitetura da industrialização. O passado como oportunidade<br /></span></i><span style="font-family: "Trebuchet MS", sans-serif;"><b><span style="color: #d9ead3;">Universidad:</span></b> </span><span lang="PT-BR" style="font-family: "Trebuchet MS", sans-serif;">Universidade Estadual Paulista (Brasil) [online]<br /></span><span lang="ES" style="font-family: "Trebuchet MS", sans-serif;"><b><span style="color: #d9ead3;">Fecha:</span></b> 14 de mayo de 2020<br /></span></div><div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://1.bp.blogspot.com/-hm_se4AmbqU/YVzxveuwqMI/AAAAAAAAR4E/8RNVsihGsUcBU0UlIQjOZTgqRwTrXNEYwCLcBGAsYHQ/s700/1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="525" data-original-width="700" src="https://1.bp.blogspot.com/-hm_se4AmbqU/YVzxveuwqMI/AAAAAAAAR4E/8RNVsihGsUcBU0UlIQjOZTgqRwTrXNEYwCLcBGAsYHQ/s16000/1.jpg" /></a></div><span style="font-family: "Trebuchet MS", sans-serif;"><div><span style="font-family: "Trebuchet MS", sans-serif;"><br /></span></div><div><span style="font-family: "Trebuchet MS", sans-serif;"><br /></span></div> </span></div><div><span lang="ES" style="font-family: "Trebuchet MS", sans-serif;"><b><span style="color: #d9ead3;">Ponencia:</span></b> “</span><span lang="PT-BR" style="font-family: "Trebuchet MS", sans-serif;">A imagem do trem na China: museus, tecnologia e narrativas de progresso”<br /></span><span lang="ES" style="font-family: "Trebuchet MS", sans-serif;"><b><span style="color: #d9ead3;">Conferencia:</span></b> </span><i><span lang="PT-BR" style="font-family: "Trebuchet MS", sans-serif;">V Congresso Internacional de História e Patrimônio Ferroviário & IV Jornada de Jovens Pesquisadores em História e Patrimônio Ferroviário “Os legados para nosso futuro”<br /></span></i><span lang="ES" style="font-family: "Trebuchet MS", sans-serif;"><b><span style="color: #d9ead3;">Organización</span></b></span><span lang="ES" style="font-family: "Trebuchet MS", sans-serif;"><b><span style="color: #d9ead3;">:</span></b> UNESP & PUC-Campinas<br /></span><span lang="ES" style="font-family: "Trebuchet MS", sans-serif;"><b><span style="color: #d9ead3;">Lugar de celebración</span></b></span><span lang="ES" style="font-family: "Trebuchet MS", sans-serif;"><b><span style="color: #d9ead3;">:</span></b> Campinas, Brasil (online)<br /></span><span lang="ES" style="font-family: "Trebuchet MS", sans-serif;"><b><span style="color: #d9ead3;">Fecha</span></b></span><span lang="ES" style="font-family: "Trebuchet MS", sans-serif;"><b><span style="color: #d9ead3;">:</span></b> 10 de septiembre de 2020</span></div><div><span lang="ES" style="font-family: "Trebuchet MS", sans-serif;"><br /></span></div><div><div class="separator" style="clear: both; text-align: center;"><a href="https://1.bp.blogspot.com/-JJWXzJSSyBc/YVzxxW7-FMI/AAAAAAAAR4w/K1QcsDxocloaVuo7lwfkVNfu7nooVzhjwCPcBGAYYCw/s700/museus%2Bferrovia%25CC%2581rios%2Bchina.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="525" data-original-width="700" src="https://1.bp.blogspot.com/-JJWXzJSSyBc/YVzxxW7-FMI/AAAAAAAAR4w/K1QcsDxocloaVuo7lwfkVNfu7nooVzhjwCPcBGAYYCw/s16000/museus%2Bferrovia%25CC%2581rios%2Bchina.jpg" /></a></div><br /><span lang="ES" style="font-family: "Trebuchet MS", sans-serif;"><br /></span><span style="font-family: "Trebuchet MS", sans-serif;"><b><span style="color: #d9ead3;">Conferencia:</span></b> “</span><span style="font-family: "Trebuchet MS", sans-serif;">Art + rust. The roles and spaces of contemporary art in the ruins of industry and technology</span><span style="font-family: "Trebuchet MS", sans-serif;">”<br /></span><span style="font-family: "Trebuchet MS", sans-serif;"><b><span style="color: #d9ead3;">Organización</span></b></span><span style="font-family: "Trebuchet MS", sans-serif;"><b><span style="color: #d9ead3;">:</span></b> <i>Lunch Lectures</i>, Institute for Cultural Heritage and History of Science & Technology<br /></span><span style="font-family: "Trebuchet MS", sans-serif;"><span style="color: #d9ead3;"><b>Lugar de celebración</b></span></span><span style="font-family: "Trebuchet MS", sans-serif;"><span style="color: #d9ead3;"><b>:</b></span> </span><span style="font-family: "Trebuchet MS", sans-serif;">School of Metallurgical Engineering</span><span style="font-family: "Trebuchet MS", sans-serif;">, University of Science and Technology Beijing, Pekín (China)<br /></span><span lang="ES-TRAD" style="font-family: "Trebuchet MS", sans-serif;"><b><span style="color: #d9ead3;">Fecha</span></b></span><span lang="ES-TRAD" style="font-family: "Trebuchet MS", sans-serif;"><b><span style="color: #d9ead3;">:</span></b> 30 de diciembre de 2020<br /></span><span style="font-family: "Trebuchet MS", sans-serif;"><br /></span><div style="text-align: center;"><a href="https://1.bp.blogspot.com/-ow4fpaMvt2g/YVzxwF5nz-I/AAAAAAAAR4w/SGMAJxLgIIIGEl04mVYz8XPwJ5jOWZRKACPcBGAYYCw/s700/5%2B-%2BArt%2B%2526%2BRust.jpg" imageanchor="1"><img border="0" data-original-height="525" data-original-width="700" src="https://1.bp.blogspot.com/-ow4fpaMvt2g/YVzxwF5nz-I/AAAAAAAAR4w/SGMAJxLgIIIGEl04mVYz8XPwJ5jOWZRKACPcBGAYYCw/s16000/5%2B-%2BArt%2B%2526%2BRust.jpg" /></a></div><div><br /></div><div><br /></div><br /><span lang="ES" style="font-family: "Trebuchet MS", sans-serif;"><b><span style="color: #d9ead3;">Ponencia:</span></b> “</span><span style="font-family: "Trebuchet MS", sans-serif;">Industrial Archaeology: a Comparative Approach to China and Europe</span><span lang="PT-BR" style="font-family: "Trebuchet MS", sans-serif;">”<br /></span><span lang="ES" style="font-family: "Trebuchet MS", sans-serif;"><b><span style="color: #d9ead3;">Conferencia:</span></b> </span><i><span style="font-family: "Trebuchet MS", sans-serif;">1st East-West Workshop on Industrial Archaeology: Introducing the Archaeology of the Industrial Society<br /></span></i><span lang="ES" style="font-family: "Trebuchet MS", sans-serif;"><b><span style="color: #d9ead3;">Organización</span></b></span><span lang="ES" style="font-family: "Trebuchet MS", sans-serif;"><b><span style="color: #d9ead3;">:</span></b> </span><span style="font-family: "Trebuchet MS", sans-serif;">Institute for Cultural Heritage and History of Science & Technology (USTB) & Association for Industrial + Young Members Board<br /><o:p></o:p></span><span lang="ES" style="font-family: "Trebuchet MS", sans-serif;"><b><span style="color: #d9ead3;">Lugar de celebración</span></b></span><span lang="ES" style="font-family: "Trebuchet MS", sans-serif;"><b><span style="color: #d9ead3;">:</span></b> online <br /></span><span lang="ES" style="font-family: "Trebuchet MS", sans-serif;"><b><span style="color: #d9ead3;">Fecha</span></b></span><span lang="ES" style="font-family: "Trebuchet MS", sans-serif;"><b><span style="color: #d9ead3;">:</span></b> 8 de mayo de 2021<br /></span><span style="font-family: "Trebuchet MS", sans-serif;"><br /></span><div class="separator" style="clear: both; text-align: center;"><a href="https://1.bp.blogspot.com/-s2A_8R0EhfA/YVzxxRpDJPI/AAAAAAAAR40/-3w8WtAE8q8iKCM2UM8AtnFuaF9mBqyOwCPcBGAYYCw/s700/presentation.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="525" data-original-width="700" src="https://1.bp.blogspot.com/-s2A_8R0EhfA/YVzxxRpDJPI/AAAAAAAAR40/-3w8WtAE8q8iKCM2UM8AtnFuaF9mBqyOwCPcBGAYYCw/s16000/presentation.jpg" /></a></div><div><br /></div><div><br /></div><br /><span lang="ES" style="font-family: "Trebuchet MS", sans-serif;"><b><span style="color: #d9ead3;">Ponencia:</span></b> “</span><span style="font-family: "Trebuchet MS", sans-serif;">Contemporary Art and the Making of Industrial Heritage</span><span lang="PT-BR" style="font-family: "Trebuchet MS", sans-serif;">”<br /></span><span lang="ES" style="font-family: "Trebuchet MS", sans-serif;"><b><span style="color: #d9ead3;">Conferencia</span></b>: </span><i><span style="font-family: "Trebuchet MS", sans-serif;">The 11<sup>th</sup> Chinese Academic Forum of Industrial Heritage<br /></span></i><span lang="ES" style="font-family: "Trebuchet MS", sans-serif;"><b><span style="color: #d9ead3;">Organización</span></b></span><span lang="ES" style="font-family: "Trebuchet MS", sans-serif;"><b><span style="color: #d9ead3;">:</span></b> </span><span style="font-family: "Trebuchet MS", sans-serif;">Industrial Architecture Heritage Academic Committee of ASC<br /></span><span lang="ES" style="font-family: "Trebuchet MS", sans-serif;"><b><span style="color: #d9ead3;">Lugar de celebración</span></b></span><span lang="ES" style="font-family: "Trebuchet MS", sans-serif;"><b><span style="color: #d9ead3;">:</span></b> Hohhot (China)<br /></span><span lang="ES" style="font-family: "Trebuchet MS", sans-serif;"><b><span style="color: #d9ead3;">Fecha</span></b></span><span lang="ES" style="font-family: "Trebuchet MS", sans-serif;"><b><span style="color: #d9ead3;">:</span></b> 22 de mayo de 2021<br /></span><span lang="ES-TRAD" style="font-family: "Trebuchet MS", sans-serif;"><br /></span><div class="separator" style="clear: both; text-align: center;"><a href="https://1.bp.blogspot.com/-cAWpD2rxoPE/YVzxwqeHqTI/AAAAAAAAR4s/Swd3avglsI088t9Dxfm5Ok02QwtLSG9BgCPcBGAYYCw/s700/Juan%2BCN.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="394" data-original-width="700" src="https://1.bp.blogspot.com/-cAWpD2rxoPE/YVzxwqeHqTI/AAAAAAAAR4s/Swd3avglsI088t9Dxfm5Ok02QwtLSG9BgCPcBGAYYCw/s16000/Juan%2BCN.jpg" /></a></div><div><br /></div><div><br /></div><br /><span style="font-family: "Trebuchet MS", sans-serif;"><b><span style="color: #d9ead3;">Conferencia:</span></b> “Mining sites: landscapes, cultures and heritage values”<br /></span><span style="font-family: "Trebuchet MS", sans-serif;"><b><span style="color: #d9ead3;">Organización</span></b></span><span style="font-family: "Trebuchet MS", sans-serif;"><b><span style="color: #d9ead3;">:</span></b> <i>Lunch Lectures</i>, Institute for Cultural Heritage and History of Science & Technology<br /></span><span style="font-family: "Trebuchet MS", sans-serif;"><b><span style="color: #d9ead3;">Lugar de celebración</span></b></span><span style="font-family: "Trebuchet MS", sans-serif;"><b><span style="color: #d9ead3;">:</span></b> </span><span style="font-family: "Trebuchet MS", sans-serif;">School of Metallurgical Engineering</span><span style="font-family: "Trebuchet MS", sans-serif;">, University of Science and Technology Beijing, Pekín (China)<br /></span><span lang="ES-TRAD" style="font-family: "Trebuchet MS", sans-serif;"><b><span style="color: #d9ead3;">Fecha</span></b></span><span lang="ES-TRAD" style="font-family: "Trebuchet MS", sans-serif;"><b><span style="color: #d9ead3;">:</span></b> 21 de julio de 2021</span></div><div><span lang="ES-TRAD" style="font-family: "Trebuchet MS", sans-serif;"><br /></span></div><div><span lang="ES-TRAD" style="font-family: "Trebuchet MS", sans-serif;"><br /></span><span style="font-family: "Trebuchet MS", sans-serif;"> <br /></span><span style="font-family: "Trebuchet MS", sans-serif;"><b><span style="color: #d9ead3;">Comunicación:</span></b> </span><span style="font-family: "Trebuchet MS", sans-serif;">“</span><span style="font-family: "Trebuchet MS", sans-serif;">East-West Workshop on Industrial Archaeology series</span><span style="font-family: "Trebuchet MS", sans-serif;">”<br /><o:p></o:p></span><span style="font-family: "Trebuchet MS", sans-serif;"><b><span style="color: #d9ead3;">Congreso</span></b></span><span style="font-family: "Trebuchet MS", sans-serif;"><b><span style="color: #d9ead3;">:</span></b> </span><i><span style="font-family: "Trebuchet MS", sans-serif;">2021 Association for Industrial Archaeology Annual Conference<br /></span></i><span style="font-family: "Trebuchet MS", sans-serif;"><b><span style="color: #d9ead3;">Organización</span></b></span><span style="font-family: "Trebuchet MS", sans-serif;"><b><span style="color: #d9ead3;">:</span></b> Association for Industrial Archaeology & </span><span style="font-family: "Trebuchet MS", sans-serif;">Merseyside Industrial Heritage Society<br /></span><span style="font-family: "Trebuchet MS", sans-serif;"><b><span style="color: #d9ead3;">Lugar de celebración</span></b></span><span style="font-family: "Trebuchet MS", sans-serif;"><b><span style="color: #d9ead3;">:</span></b> Zoom (online)<br /></span><span lang="ES-TRAD" style="font-family: "Trebuchet MS", sans-serif;"><b><span style="color: #d9ead3;">Fecha</span></b></span><span lang="ES-TRAD" style="font-family: "Trebuchet MS", sans-serif;"><b><span style="color: #d9ead3;">:</span></b> 18 de septiembre de 2021</span></div><div><span lang="ES-TRAD" style="font-family: "Trebuchet MS", sans-serif;"><br /></span><div class="separator" style="clear: both; text-align: center;"><a href="https://1.bp.blogspot.com/-5YdZHaysZqQ/YVzxwTp_UMI/AAAAAAAAR4o/BEvMJqAo1KIL8faOcyHz7QuJq-OeTQldQCPcBGAYYCw/s700/E-W%2BWorkshops%2Bon%2BAI.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="394" data-original-width="700" src="https://1.bp.blogspot.com/-5YdZHaysZqQ/YVzxwTp_UMI/AAAAAAAAR4o/BEvMJqAo1KIL8faOcyHz7QuJq-OeTQldQCPcBGAYYCw/s16000/E-W%2BWorkshops%2Bon%2BAI.jpg" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div><span lang="ES-TRAD" style="font-family: "Trebuchet MS", sans-serif;"><b><span style="color: #d9ead3;">Comunicación:</span></b> “The heritage values of mining sites. A critical approach based on materiality”<br /></span><span style="font-family: "Trebuchet MS", sans-serif;"><o:p></o:p></span><span style="font-family: "Trebuchet MS", sans-serif;"><b><span style="color: #d9ead3;">Congreso</span></b></span><span style="font-family: "Trebuchet MS", sans-serif;"><b><span style="color: #d9ead3;">:</span></b> </span><span style="font-family: "Trebuchet MS", sans-serif;">International Conference “Industrial Heritage – Conservation, Cultural Promotion and Intelligent Reuse” (5<sup>th</sup> Edition)<br /></span><b><span style="color: #d9ead3;"><span style="font-family: "Trebuchet MS", sans-serif;">Organización</span><span style="font-family: "Trebuchet MS", sans-serif;">: </span></span></b><span style="font-family: "Trebuchet MS", sans-serif;">Professional Association of Romanian Geographers<br /></span><span style="font-family: "Trebuchet MS", sans-serif;"><b><span style="color: #d9ead3;">Lugar de celebración</span></b></span><span style="font-family: "Trebuchet MS", sans-serif;"><b><span style="color: #d9ead3;">:</span></b> online<br /></span><span lang="ES-TRAD" style="font-family: "Trebuchet MS", sans-serif;"><b><span style="color: #d9ead3;">Fecha</span></b></span><span lang="ES-TRAD" style="font-family: "Trebuchet MS", sans-serif;"><b><span style="color: #d9ead3;">:</span></b> 23 de septiembre de 2021</span></div><div><span lang="ES-TRAD" style="font-family: "Trebuchet MS", sans-serif;"><br /></span></div><div><div class="separator" style="clear: both; text-align: center;"><a href="https://1.bp.blogspot.com/-VXxdcZiPmbc/YVzxwxpVozI/AAAAAAAAR4s/0E7tooDuqLoojb7LB_f1Va_gxTmYZwyCwCPcBGAYYCw/s700/mining%2Bheritage.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="548" data-original-width="700" src="https://1.bp.blogspot.com/-VXxdcZiPmbc/YVzxwxpVozI/AAAAAAAAR4s/0E7tooDuqLoojb7LB_f1Va_gxTmYZwyCwCPcBGAYYCw/s16000/mining%2Bheritage.jpg" /></a></div><br /><span lang="ES-TRAD" style="font-family: "Trebuchet MS", sans-serif;"><br /></span></div><div><span lang="ES-TRAD" style="font-family: "Trebuchet MS", sans-serif;"><br /></span></div>Ciudadanohttp://www.blogger.com/profile/02585968705417101183noreply@blogger.com0tag:blogger.com,1999:blog-6227981296774682435.post-50405115425572518512021-09-25T05:01:00.001+02:002021-09-25T05:01:47.434+02:00First East-West online industrial archaeology workshop<div><div style="text-align: justify;"><span style="font-family: trebuchet;"><span style="color: #d9ead3; font-size: x-small;">Artículo breve</span></span></div><div style="text-align: justify;"><span style="font-family: trebuchet;"><br /></span></div><span style="font-family: trebuchet;"><div style="text-align: justify;"><b><span lang="EN-US"><span style="color: #d9ead3;">Autor</span></span></b><span lang="EN-US"><span style="color: #d9ead3;">:</span> Cano Sanchiz, J. M.</span></div><span lang="EN-US"><div style="text-align: justify;"><b><span lang="EN-US"><span style="color: #d9ead3;">Revista</span></span></b><span lang="EN-US"><span style="color: #d9ead3;">:</span> </span><i><span lang="ES">Industrial Archaeology News</span></i></div><o:p><div style="text-align: justify;"><b><span lang="EN-US"><span style="color: #d9ead3;">Número</span></span></b><span lang="EN-US"><span style="color: #d9ead3;">:</span> 198</span></div></o:p></span></span><span style="font-family: trebuchet;"><div style="text-align: justify;"><b><span lang="EN-US"><span style="color: #d9ead3;">Año:</span> </span></b><span lang="EN-US">2021</span></div><span lang="EN-US"><div style="text-align: justify;"><b><span lang="EN-US"><span style="color: #d9ead3;">Páginas</span></span></b><span lang="EN-US"><span style="color: #d9ead3;">:</span> 10-11</span></div><o:p><div style="text-align: justify;"><br /></div><div style="text-align: center;"><b><span style="font-size: large;"><a href="https://www.researchgate.net/publication/354825105_First_East-West_online_industrial_archaeology_workshop" target="_blank">TEXTO COMPLETO</a></span></b></div></o:p></span></span></div><p class="MsoNormalCxSpMiddle" style="text-align: justify;"><span lang="EN-US" style="font-family: "Trebuchet MS", sans-serif;"><br /></span></p>Ciudadanohttp://www.blogger.com/profile/02585968705417101183noreply@blogger.com0tag:blogger.com,1999:blog-6227981296774682435.post-54491041611041884742021-09-25T04:56:00.001+02:002021-09-25T04:56:50.918+02:00New academic centre for industrial heritage and archaeology<div><div style="text-align: justify;"><span style="color: #d9ead3; font-family: trebuchet; font-size: x-small;">Artículo breve</span></div><div style="text-align: justify;"><span style="font-family: trebuchet;"><br /></span></div><span style="font-family: trebuchet;"><div style="text-align: justify;"><b><span lang="EN-US"><span style="color: #d9ead3;">Autor</span></span></b><span lang="EN-US"><span style="color: #d9ead3;">:</span> Cano Sanchiz, J. M.</span></div><span lang="EN-US"><div style="text-align: justify;"><b><span lang="EN-US"><span style="color: #d9ead3;">Revista</span></span></b><span lang="EN-US"><span style="color: #d9ead3;">:</span> </span><i><span lang="ES">TICCIH Bulletin</span></i></div><o:p><div style="text-align: justify;"><b><span lang="EN-US"><span style="color: #d9ead3;">Número</span></span></b><span lang="EN-US"><span style="color: #d9ead3;">:</span> 93</span></div></o:p></span><div style="text-align: justify;"><b style="font-weight: bold;"><span lang="EN-US"><span style="color: #d9ead3;">Año:</span> </span></b><span lang="EN-US">2021</span></div><span lang="EN-US"><div style="text-align: justify;"><b><span lang="EN-US"><span style="color: #d9ead3;">Páginas</span></span></b><span lang="EN-US"><span style="color: #d9ead3;">: </span>20-21</span></div></span></span></div><p style="text-align: center;"><b><span style="font-family: trebuchet; font-size: large;"><a href="https://www.researchgate.net/publication/354825072_New_academic_centre_for_industrial_heritage_and_archaeology" target="_blank">TEXTO COMPLETO</a></span></b></p><p><br /></p>Ciudadanohttp://www.blogger.com/profile/02585968705417101183noreply@blogger.com0tag:blogger.com,1999:blog-6227981296774682435.post-70273144505611927522021-08-21T11:02:00.002+02:002021-11-27T02:50:46.032+01:00Labour and Technology Migrations in the Iberian Peninsula – The Case of the Spanish Millano Family’s Woollen Mills in Portugal (Late 19th-Early 20th Century)<p style="text-align: justify;"><span style="color: #d9ead3; font-family: trebuchet; font-size: x-small;">Artículo</span></p><p class="MsoNormalCxSpFirst" style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><span style="font-family: trebuchet;"><a name="__DdeLink__12265_4001399499"><b><span lang="EN-US"><span style="color: #d9ead3;">Autores</span></span></b></a><span lang="EN-US"><span style="color: #d9ead3;">:</span> </span><span lang="ES">Pastor, M.B; Vieira, E.; Cano Sanchiz, J.M</span><span lang="EN-US">.<o:p></o:p></span></span></p><p class="MsoNormalCxSpMiddle" style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><span style="font-family: trebuchet;"><b><span lang="EN-US"><span style="color: #d9ead3;">Revista</span></span></b><span lang="EN-US"><span style="color: #d9ead3;">:</span> </span><i><span lang="ES">Industrial Archaeology Review</span></i><span lang="ES"><o:p></o:p></span></span></p><p class="MsoNormalCxSpMiddle" style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><span style="font-family: trebuchet;"><b><span lang="EN-US"><span style="color: #d9ead3;">Número</span></span></b><span lang="EN-US"><span style="color: #d9ead3;">:</span> 43.2</span></span></p><p class="MsoNormalCxSpMiddle" style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><span style="font-family: trebuchet;"><b><span lang="EN-US"><span style="color: #d9ead3;">Año:</span> </span></b><span lang="EN-US">2021<o:p></o:p></span></span></p><p class="MsoNormalCxSpMiddle" style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><span style="font-family: trebuchet;"><b><span lang="EN-US"><span style="color: #d9ead3;">Páginas</span></span></b><span lang="EN-US"><span style="color: #d9ead3;">:</span> 80-94</span></span></p><p class="MsoNormalCxSpLast" style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><span lang="EN-US"><span style="font-family: trebuchet;"> </span></span></p><p style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><span style="font-family: trebuchet;"><b><span style="color: #d9ead3;">ABSTRACT:</span></b> This article studies three woollen mills (Torre de Moncorvo, Trás-os-Montes and Vila Nova de Gaia/Porto) built in the north of Portugal from the second half of the 19th to the early 20th centuries, by a family of Spanish migrants, the Millanos. The circumstances of this family’s migration, its impact on the local communities and even the location and description of their mills were barely known at the beginning of this work. Thus, this article sheds new light both on the location of Millanos’ mills in Portugal and on their morphological and technological configurations. Various techniques were combined, including GIS technology, aerial photography analysis, documentary research and archaeological field survey to explore new paths of research in industrial archaeology that let us offer a more global perspective of the mills and their social and historical context.<o:p></o:p></span></p><p class="MsoNormalCxSpFirst" style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><span style="font-family: trebuchet;"><b><span style="color: #d9ead3;">KEYWORDS:</span></b> woollen mill, migration, peripheral industrialisation, HOPHGeo (Historic Orthiphotography Geo-reference), societal memory.<o:p></o:p></span></p><p class="MsoNormalCxSpFirst" style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><span style="font-family: trebuchet;"><br /></span></p><p class="MsoNormalCxSpFirst" style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><span style="font-family: trebuchet;"><br /></span></p><p class="MsoNormalCxSpFirst" style="margin: 0cm 0cm 0.0001pt; text-align: center;"><span style="font-family: trebuchet; font-size: x-large;"><b><a href="https://doi.org/10.1080/03090728.2021.1955500" target="_blank">TEXTO COMPLETO</a></b></span></p><p class="MsoNormalCxSpFirst" style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><span style="font-family: trebuchet;"><br /></span></p><p class="MsoNormalCxSpFirst" style="font-family: Times, serif; font-size: 10pt; margin: 0cm 0cm 0.0001pt; text-align: justify;"><span face=""Trebuchet MS", sans-serif"><br /></span></p>Ciudadanohttp://www.blogger.com/profile/02585968705417101183noreply@blogger.com0tag:blogger.com,1999:blog-6227981296774682435.post-84592717085843198542021-07-31T01:57:00.000+02:002021-07-31T01:57:13.570+02:00Chee Hsin Cement Co. factory<p><span style="text-align: justify;"><span style="font-family: trebuchet;">Chee Hsin Cement Co. factory, today 1889 Cultural and Industrial Park (including Tangshan Cement Industry Museum)</span></span></p><p class="MsoNormalCxSpFirst" style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><span style="font-family: trebuchet;"><o:p></o:p></span></p><p class="MsoNormalCxSpMiddle" style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><span style="font-family: trebuchet;">Tangshan, Hebei province, China<o:p></o:p></span></p><p class="MsoNormalCxSpMiddle" style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><span style="font-family: trebuchet;"><br /></span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://1.bp.blogspot.com/-AIS2m-V_slw/YQSRFWU0w0I/AAAAAAAAR1c/kOBAXZy7yCI49fPPfyiupMmmAf3c2orUQCLcBGAsYHQ/s1054/DSC_0090.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1054" data-original-width="700" src="https://1.bp.blogspot.com/-AIS2m-V_slw/YQSRFWU0w0I/AAAAAAAAR1c/kOBAXZy7yCI49fPPfyiupMmmAf3c2orUQCLcBGAsYHQ/s16000/DSC_0090.JPG" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://1.bp.blogspot.com/-axgX_Da8Dog/YQSRFhw7tZI/AAAAAAAAR1k/ROt-xUsvSVEFT3HP9K4lYl9CHuDwefb6wCLcBGAsYHQ/s700/DSC_0102.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="465" data-original-width="700" src="https://1.bp.blogspot.com/-axgX_Da8Dog/YQSRFhw7tZI/AAAAAAAAR1k/ROt-xUsvSVEFT3HP9K4lYl9CHuDwefb6wCLcBGAsYHQ/s16000/DSC_0102.JPG" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://1.bp.blogspot.com/-BCh9Ez80jl4/YQSRFv3pdQI/AAAAAAAAR1g/d9trx1vb8QQyMZkYhXMNkjoSDRcUsgcDQCLcBGAsYHQ/s700/DSC_0105.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="465" data-original-width="700" src="https://1.bp.blogspot.com/-BCh9Ez80jl4/YQSRFv3pdQI/AAAAAAAAR1g/d9trx1vb8QQyMZkYhXMNkjoSDRcUsgcDQCLcBGAsYHQ/s16000/DSC_0105.JPG" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://1.bp.blogspot.com/-b5XYUS3zyjM/YQSRGTnI7OI/AAAAAAAAR1o/bg16caYBNO0kKOGxRbYaD9RWP4ARA3wDQCLcBGAsYHQ/s700/DSC_0139.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="465" data-original-width="700" src="https://1.bp.blogspot.com/-b5XYUS3zyjM/YQSRGTnI7OI/AAAAAAAAR1o/bg16caYBNO0kKOGxRbYaD9RWP4ARA3wDQCLcBGAsYHQ/s16000/DSC_0139.JPG" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://1.bp.blogspot.com/-op8amqfz8Ow/YQSRGt5eqII/AAAAAAAAR1s/zpJMIUQ2N24mFqyLAAJ1g9VUZdTkoLiBQCLcBGAsYHQ/s700/IMG_0644.JPG" imageanchor="1" style="margin-left: 1em; 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text-align: center;"><a href="https://1.bp.blogspot.com/-YBu3IIs1QvE/YQSRHlMnnvI/AAAAAAAAR14/ZIx_Y89SU9QrPY9GA8Wp_c50zS5Hi5zaACLcBGAsYHQ/s700/IMG_0676.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="525" data-original-width="700" src="https://1.bp.blogspot.com/-YBu3IIs1QvE/YQSRHlMnnvI/AAAAAAAAR14/ZIx_Y89SU9QrPY9GA8Wp_c50zS5Hi5zaACLcBGAsYHQ/s16000/IMG_0676.JPG" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://1.bp.blogspot.com/-aFPFneQnEt4/YQSRH109HmI/AAAAAAAAR18/o_LgL4z29esxnh9_qnr93MicZGuDf9HiwCLcBGAsYHQ/s700/IMG_0681.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="525" data-original-width="700" src="https://1.bp.blogspot.com/-aFPFneQnEt4/YQSRH109HmI/AAAAAAAAR18/o_LgL4z29esxnh9_qnr93MicZGuDf9HiwCLcBGAsYHQ/s16000/IMG_0681.JPG" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://1.bp.blogspot.com/-RxvCgDwmhHw/YQSRH6chUQI/AAAAAAAAR2A/gtqEvlrjY700AiDyuiGK6m06TMwP3Ot7ACLcBGAsYHQ/s933/IMG_0689.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="933" data-original-width="700" src="https://1.bp.blogspot.com/-RxvCgDwmhHw/YQSRH6chUQI/AAAAAAAAR2A/gtqEvlrjY700AiDyuiGK6m06TMwP3Ot7ACLcBGAsYHQ/s16000/IMG_0689.JPG" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://1.bp.blogspot.com/-jNLUJsrEqkw/YQSRIbgBnWI/AAAAAAAAR2E/EjbFu3toDEEnOLhr0U5B5qgB54OtaP0LACLcBGAsYHQ/s700/IMG_0746.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="525" data-original-width="700" src="https://1.bp.blogspot.com/-jNLUJsrEqkw/YQSRIbgBnWI/AAAAAAAAR2E/EjbFu3toDEEnOLhr0U5B5qgB54OtaP0LACLcBGAsYHQ/s16000/IMG_0746.JPG" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://1.bp.blogspot.com/-u64TDviFOBc/YQSRI5yi3eI/AAAAAAAAR2I/6v0VQ_QJF74t0Q1Rox8UFM2lUCQV9CSxgCLcBGAsYHQ/s700/IMG_0761.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="525" data-original-width="700" src="https://1.bp.blogspot.com/-u64TDviFOBc/YQSRI5yi3eI/AAAAAAAAR2I/6v0VQ_QJF74t0Q1Rox8UFM2lUCQV9CSxgCLcBGAsYHQ/s16000/IMG_0761.JPG" /></a></div><br /><p class="MsoNormalCxSpMiddle" style="font-family: Arial, sans-serif; font-size: 11pt; margin: 0cm 0cm 0.0001pt; text-align: justify;"><br /></p><p class="MsoNormalCxSpMiddle" style="font-family: Arial, sans-serif; font-size: 11pt; margin: 0cm 0cm 0.0001pt; text-align: justify;"><br /></p>Ciudadanohttp://www.blogger.com/profile/02585968705417101183noreply@blogger.com0tag:blogger.com,1999:blog-6227981296774682435.post-31939831481758787272021-04-17T03:40:00.002+02:002021-04-17T03:40:59.073+02:001st East-West Workshop on Industrial Archaeology<span style="color: #d9ead3; font-family: trebuchet; font-size: x-small;">Workshop</span><div><span style="font-family: trebuchet;"><br /></span></div><div><span style="font-family: trebuchet;"><b><span style="color: #d9ead3;">Place:</span></b> online meeting (Zoom)</span></div><div><span style="font-family: trebuchet;"><b><span style="color: #d9ead3;">Date:</span></b> Saturday, 8 May 2021</span></div><div><span style="font-family: trebuchet;"><span style="color: #d9ead3;"><b>Time:</b></span> 10.30 to 12.30 (London time) / 17.30 to 19.30 (Beijing time)</span></div><div><span style="font-family: trebuchet;"><br /></span></div><div><p class="MsoNormalCxSpFirst" style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><span style="font-family: trebuchet;">The <i>1<sup>st</sup> East-West Workshop on Industrial Archaeology</i> aims to exchange ideas and knowledge among Western and Eastern colleagues to build a more international and diverse industrial archaeology.<o:p></o:p></span></p><span style="font-family: trebuchet;"><div style="text-align: justify;">The activity is organised jointly by the <a href="https://ihmm.ustb.edu.cn" target="_blank">Institute for Cultural Heritage and History of Science & Technology</a> (USTB, China), and the UK <a href="http://industrial-archaeology.org" target="_blank">Association for Industrial Archaeology</a> together with its Young Members Board</div></span></div><div><span style="font-family: trebuchet;"><br /></span></div><div><div class="separator" style="clear: both; text-align: center;"><a href="https://1.bp.blogspot.com/-IAmcNU4sYp0/YHo8We6ZrrI/AAAAAAAARys/Qc4WEoPg4kQOwsMUkn2mFSXdUNzBuc0rACLcBGAsYHQ/s934/poster.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="934" data-original-width="700" src="https://1.bp.blogspot.com/-IAmcNU4sYp0/YHo8We6ZrrI/AAAAAAAARys/Qc4WEoPg4kQOwsMUkn2mFSXdUNzBuc0rACLcBGAsYHQ/s16000/poster.jpg" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div></div><div><span style="font-family: trebuchet;"><br /></span></div><div><p class="MsoNormalCxSpFirst" style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><span style="color: #d9ead3; font-family: trebuchet;"><b>SPEAKERS<o:p></o:p></b></span></p><p class="MsoNormalCxSpFirst" style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><span style="font-family: trebuchet;"><br /></span></p><p class="MsoNormalCxSpMiddle" style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><span style="font-family: trebuchet;">- Professor Marilyn Palmer MBE (President of the Association for Industrial Archaeology)<o:p></o:p></span></p><p class="MsoNormalCxSpMiddle" style="margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 36pt;"><i><span style="font-family: trebuchet;">Industrial Archaeology in Theory<o:p></o:p></span></i></p><p class="MsoNormalCxSpMiddle" style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><span style="font-family: trebuchet;">- Dr. Mike Nevell (Industrial Heritage Support Officer for England) <o:p></o:p></span></p><p class="MsoNormalCxSpMiddle" style="margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 36pt;"><i><span style="font-family: trebuchet;">Industrial Archaeology in Practice in the UK and Europe<o:p></o:p></span></i></p><p class="MsoNormalCxSpMiddle" style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><span style="font-family: trebuchet;">- Professor Wei Qian (Dean of the Institute for Cultural Heritage and History of Science and Technology, USTB)<o:p></o:p></span></p><p class="MsoNormalCxSpMiddle" style="margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 36pt;"><i><span style="font-family: trebuchet;">Industrial Archaeology and Heritage in China: A General Overview<o:p></o:p></span></i></p><p class="MsoNormalCxSpMiddle" style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><span style="font-family: trebuchet;">- Dr. Juan M. Cano Sanchiz (Associate Professor at the ICHHST. Internationalisation officer for the YMB-AIA)<o:p></o:p></span></p></div><blockquote style="border: none; margin: 0 0 0 40px; padding: 0px;"><div style="text-align: left;"><i><span style="font-family: trebuchet;">A Comparative Approach to China and Europe: Differences, Common Points and Potential Lines of Collaboration</span></i></div></blockquote><p><span style="font-family: trebuchet;"><br /></span></p><p><span style="font-family: trebuchet;"><br /></span></p><p style="text-align: center;"><span style="font-family: trebuchet; font-size: x-large;"><b><a href="https://www.eventbrite.co.uk/e/1st-east-west-workshop-on-industrial-archaeology-registration-150911128247" target="_blank">FREE REGISTRATION (get the Zoom link) </a></b></span></p><p style="text-align: center;"><span style="font-family: trebuchet; font-size: large;"><br /></span></p><p style="text-align: center;"><span style="font-family: trebuchet; font-size: large;"><br /></span></p>Ciudadanohttp://www.blogger.com/profile/02585968705417101183noreply@blogger.com0tag:blogger.com,1999:blog-6227981296774682435.post-77206452668432831842021-02-20T10:07:00.000+01:002021-02-20T10:07:41.762+01:00Beijing Auto Museum (China)<p> </p><p><span style="font-family: trebuchet;">Visited on 19 Feb 2021</span></p><p><br /></p><p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-Fl9AxNO1fP8/YDDMhoolISI/AAAAAAAARw8/bYWP7n_mGCYlOF-Y22xxW22hxbs9341zACLcBGAsYHQ/s700/IMG_7174.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="452" data-original-width="700" src="https://1.bp.blogspot.com/-Fl9AxNO1fP8/YDDMhoolISI/AAAAAAAARw8/bYWP7n_mGCYlOF-Y22xxW22hxbs9341zACLcBGAsYHQ/s16000/IMG_7174.JPG" title="General view of the museum’s building" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><br /></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-ZRq3Ds6k_0E/YDDMh-L0wII/AAAAAAAARxA/tQg3BOhOQtsl92J01d-YqKy4XGM-MxXHgCLcBGAsYHQ/s700/IMG_7188.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="467" data-original-width="700" src="https://1.bp.blogspot.com/-ZRq3Ds6k_0E/YDDMh-L0wII/AAAAAAAARxA/tQg3BOhOQtsl92J01d-YqKy4XGM-MxXHgCLcBGAsYHQ/s16000/IMG_7188.JPG" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">General views of the museum's building, outside and inside</td></tr></tbody></table></p><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-12eUm9D_J7w/YDDMf0QqLjI/AAAAAAAARwc/sZDQhFd2sA4B2DLHuSNcMqiJm3QBjUi5gCLcBGAsYHQ/s700/DSC_0015.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="465" data-original-width="700" src="https://1.bp.blogspot.com/-12eUm9D_J7w/YDDMf0QqLjI/AAAAAAAARwc/sZDQhFd2sA4B2DLHuSNcMqiJm3QBjUi5gCLcBGAsYHQ/s16000/DSC_0015.JPG" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">The very beginnings, or the automobile's ancestors </td></tr></tbody></table><div><br /></div><div><br /></div><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-eWQlIt5fva0/YDDMf4T1wwI/AAAAAAAARwg/tu1nKo4YR5MJUqldeqhkjjPNCnyN5WfygCLcBGAsYHQ/s700/DSC_0032.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="465" data-original-width="700" src="https://1.bp.blogspot.com/-eWQlIt5fva0/YDDMf4T1wwI/AAAAAAAARwg/tu1nKo4YR5MJUqldeqhkjjPNCnyN5WfygCLcBGAsYHQ/s16000/DSC_0032.JPG" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">The assembly line</td></tr></tbody></table><div><br /></div><div><br /></div><div><br /></div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-qH3TPd92udw/YDDP_M9hwWI/AAAAAAAARxg/vYdzTZnrXEQ1MYbaftETU3G1s2BcrqjAACLcBGAsYHQ/s700/DSC_0131.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="465" data-original-width="700" src="https://1.bp.blogspot.com/-qH3TPd92udw/YDDP_M9hwWI/AAAAAAAARxg/vYdzTZnrXEQ1MYbaftETU3G1s2BcrqjAACLcBGAsYHQ/s16000/DSC_0131.JPG" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Collection of classic Chinese cars</td></tr></tbody></table><br /><div><br /></div><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-bc11GKTkTYw/YDDMfoMdCOI/AAAAAAAARwY/GqubqrvqHRg0bkcdFlGBrKrCMwcz8qcGACLcBGAsYHQ/s1054/DSC_0063.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1054" data-original-width="700" src="https://1.bp.blogspot.com/-bc11GKTkTYw/YDDMfoMdCOI/AAAAAAAARwY/GqubqrvqHRg0bkcdFlGBrKrCMwcz8qcGACLcBGAsYHQ/s16000/DSC_0063.JPG" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Meeting some developers of the car industry</td></tr></tbody></table><div><br /></div><div><br /></div><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-sNqzIRI5wAg/YDDMgbO5mJI/AAAAAAAARwk/yKoJyKQ6AucW7t_wokYjkbbHP3Fea5o4QCLcBGAsYHQ/s1054/DSC_0077.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1054" data-original-width="700" src="https://1.bp.blogspot.com/-sNqzIRI5wAg/YDDMgbO5mJI/AAAAAAAARwk/yKoJyKQ6AucW7t_wokYjkbbHP3Fea5o4QCLcBGAsYHQ/s16000/DSC_0077.JPG" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Anatomy of Car</td></tr></tbody></table><div><br /></div><div><br /></div><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-8dtPHr4EZ2Y/YDDMgvO4WpI/AAAAAAAARwo/nwpPNbURWKQAMA4qIoZVN3L6TQJezo7OQCLcBGAsYHQ/s700/DSC_0082.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="465" data-original-width="700" src="https://1.bp.blogspot.com/-8dtPHr4EZ2Y/YDDMgvO4WpI/AAAAAAAARwo/nwpPNbURWKQAMA4qIoZVN3L6TQJezo7OQCLcBGAsYHQ/s16000/DSC_0082.JPG" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Engines</td></tr></tbody></table><div><br /></div><div><br /></div><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-hpZX7R0_zkI/YDDMgkSq32I/AAAAAAAARws/c6c0Q6ET7qoXduhAPiaK4KOtkOfyr79cACLcBGAsYHQ/s700/DSC_0088.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="465" data-original-width="700" src="https://1.bp.blogspot.com/-hpZX7R0_zkI/YDDMgkSq32I/AAAAAAAARws/c6c0Q6ET7qoXduhAPiaK4KOtkOfyr79cACLcBGAsYHQ/s16000/DSC_0088.JPG" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Car design, here seen through one of the many interactive facilities of the museum</td></tr></tbody></table><div><br /></div><br /><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-SPODyPK_IQY/YDDMheGkUOI/AAAAAAAARw0/cXuQGCGhijETdbZxSrpMQC0wzAdWK0vjACLcBGAsYHQ/s700/DSC_0119.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="465" data-original-width="700" src="https://1.bp.blogspot.com/-SPODyPK_IQY/YDDMheGkUOI/AAAAAAAARw0/cXuQGCGhijETdbZxSrpMQC0wzAdWK0vjACLcBGAsYHQ/s16000/DSC_0119.JPG" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Welcome to the future</td></tr></tbody></table><br /><br /><br /><div style="text-align: center;"><span style="font-size: x-large;"><span style="font-family: trebuchet;"><a href="http://automuseum.bjft.gov.cn/automuseum/index.html" target="_blank">More info</a></span></span></div><br /><div><br /></div>Ciudadanohttp://www.blogger.com/profile/02585968705417101183noreply@blogger.com0tag:blogger.com,1999:blog-6227981296774682435.post-40464272819688130852020-10-17T12:45:00.006+02:002020-12-20T02:58:21.669+01:00Continuity and Change in the Alum Industry: A Technological Approach to Wenzhou Alum Mine (Zhejiang Province, China, 14th-21st Century)<p><span style="color: #b6d7a8; font-family: trebuchet; font-size: x-small;">Artículo</span></p><p class="MsoNormalCxSpFirst" style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><span style="font-family: trebuchet;"><a name="__DdeLink__12265_4001399499"><b><span lang="EN-US"><span style="color: #b6d7a8;">Autor</span></span></b></a><span lang="EN-US"><span style="color: #b6d7a8;">:</span> <o:p></o:p></span><span style="text-align: left;">Feng, S.; Qian, W.; Cano Sanchiz, J.M.; White, R.; Robinson, M.</span></span></p><p class="MsoNormalCxSpMiddle" style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><span style="font-family: trebuchet;"><b><span lang="EN-US"><span style="color: #b6d7a8;">Revista</span></span></b><span lang="EN-US"><span style="color: #b6d7a8;">:</span> </span><i><span lang="ES">Industrial Archaeology Review</span></i><span lang="ES"><o:p></o:p></span></span></p><p class="MsoNormalCxSpMiddle" style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><span style="font-family: trebuchet;"><b><span lang="EN-US"><span style="color: #b6d7a8;">Número</span></span></b><span lang="EN-US"><span style="color: #b6d7a8;">:</span> 42.2</span></span></p><p class="MsoNormalCxSpMiddle" style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><span style="font-family: trebuchet;"><b><span lang="EN-US"><span style="color: #b6d7a8;">Año:</span> </span></b><span lang="EN-US">2020<o:p></o:p></span></span></p><p class="MsoNormalCxSpMiddle" style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><span style="font-family: trebuchet;"><b><span lang="EN-US"><span style="color: #b6d7a8;">Páginas</span></span></b><span lang="EN-US"><span style="color: #b6d7a8;">:</span> 98-113</span></span></p><p class="MsoNormalCxSpLast" style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><span lang="EN-US"><span style="font-family: trebuchet;"> </span></span></p><p style="margin: 0cm 0cm 0.0001pt; text-align: justify;"></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-sP-9YIlz69M/X4rKNcZP_-I/AAAAAAAARu4/cMa4O5udZ28GT_dUZ_iKdpoya3Xcr7Z3gCLcBGAsYHQ/s700/IMG_3019.HEIC" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="525" data-original-width="700" src="https://1.bp.blogspot.com/-sP-9YIlz69M/X4rKNcZP_-I/AAAAAAAARu4/cMa4O5udZ28GT_dUZ_iKdpoya3Xcr7Z3gCLcBGAsYHQ/s16000/IMG_3019.HEIC" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Piscinas de cristalización en la montaña<br /></td></tr></tbody></table><br /><span style="font-family: trebuchet;"><br /></span><p></p><p style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><span style="font-family: trebuchet;"><b><span style="color: #b6d7a8;">ABSTRACT:</span></b> <span style="text-align: left;">Wenzhou Alum Mine in Fanshan Town, Zhejiang Province (China), operated from the middle of the 14th century to December 2017 and, as an important centre of the Chinese alum industry for more than 600 years, witnessed both change and continuity in the development of alum mining and refining technology. Alum was produced in Wenzhou from the alunite ore mined in the territory, and included quarrying, calcining, weathering and steeping the ore to produce an impure solution, or liquor, of aluminium sulphate and potassium sulphate, which was then boiled at the appropriate temperature to form a concentration of alum. A review of the documentary evidence coupled with an archaeological survey of the mining and refining sites owned by the Wenzhou Alum Mine Company has enabled the site to be redefined as a complex production landscape by paying attention to the evidence for the evolution of technology used for producing alum.</span></span></p><p style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><span style="font-family: trebuchet;"><b><span lang="ES"><span style="color: #d9ead3;">KEYWORDS:</span></span></b><span lang="ES"> </span><span style="text-align: start;">Alum industry; technology of</span><span style="text-align: start;"> </span><span style="text-align: start;">mechanical engineering; mining heritage; Chinese industrialisation</span><span style="text-align: start;"></span>.</span></p><p style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><span style="font-family: trebuchet;"><br /></span></p><p style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><span style="font-family: trebuchet;"><br /></span></p><p style="margin: 0cm 0cm 0.0001pt; text-align: justify;"><span style="font-family: trebuchet;"><br /></span></p><p style="margin: 0cm 0cm 0.0001pt; text-align: center;"><span style="font-family: trebuchet; font-size: x-large;"><b><a href="https://www.tandfonline.com/doi/full/10.1080/03090728.2020.1809314" target="_blank">TEXTO COMPLETO</a></b></span></p><p style="margin: 0cm 0cm 0.0001pt; text-align: center;"><span style="font-family: trebuchet; font-size: large;"><br /></span></p>Ciudadanohttp://www.blogger.com/profile/02585968705417101183noreply@blogger.com0tag:blogger.com,1999:blog-6227981296774682435.post-61994176274531406862020-10-02T19:08:00.001+02:002020-10-02T19:08:13.756+02:00Electromecánicas, el barrio obrero de Córdoba<div><div style="text-align: justify;"><span style="color: #b6d7a8; font-family: trebuchet; font-size: x-small;">Capítulo de libro</span></div><div style="text-align: justify;"><span style="font-family: trebuchet;"><br /></span></div><span style="font-family: trebuchet;"><div style="text-align: justify;"><b><span lang="ES"><span style="color: #b6d7a8;">Autor</span></span></b><span lang="ES"><span style="color: #b6d7a8;">:</span> Cano Sanchiz, J. M.</span></div><span lang="ES"><div style="text-align: justify;"><b><span lang="ES"><span style="color: #b6d7a8;">Título del libro:</span></span></b><span lang="ES"> </span><span lang="ES">OBRERO GUISADO, R. (dir.); OLIVARES DOVAO, B. (coord.), <i>Vida e Impacto de una industria. Electromecánicas 1917-2017</i></span></div></span><div style="text-align: justify;"><b style="font-weight: bold;"><span lang="ES"><span style="color: #b6d7a8;">Lugar de edición:</span></span></b><span lang="ES"><span style="color: #b6d7a8; font-weight: bold;"> </span>Córdoba: Diputación de Córdoba</span></div><div style="text-align: justify;"><b style="font-weight: bold;"><span lang="ES"><span style="color: #b6d7a8;">Año</span></span></b><span lang="ES"><b><span style="color: #b6d7a8;">:</span> </b>2020</span></div><div style="text-align: justify;"><b><span style="color: #b6d7a8;"><span lang="ES">Páginas</span><span lang="ES">:</span></span></b><span lang="ES" style="font-weight: bold;"> </span><span lang="ES">28-39</span></div><span lang="ES"><div style="text-align: justify;"><br /></div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-whxXKzwrKTM/X3dcR9UVl4I/AAAAAAAARus/r069Bbwsv8ECnynXKaE5vPoWuqQe1neAwCLcBGAsYHQ/s700/5.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="284" data-original-width="700" src="https://1.bp.blogspot.com/-whxXKzwrKTM/X3dcR9UVl4I/AAAAAAAARus/r069Bbwsv8ECnynXKaE5vPoWuqQe1neAwCLcBGAsYHQ/s16000/5.jpg" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Electromecánicas I en la década de 1920 (fuente: SECEM, sin año)<br /></td></tr></tbody></table><br /><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><br /></div></span><span lang="ES"><div style="text-align: center;"><a href="https://www.researchgate.net/publication/344453904_Electromecanicas_el_Barrio_Obrero_de_Cordoba" target="_blank"><span style="font-size: x-large;">TEXTO COMPLETO</span></a></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><br /></div></span></span></div>Ciudadanohttp://www.blogger.com/profile/02585968705417101183noreply@blogger.com0tag:blogger.com,1999:blog-6227981296774682435.post-77235273976594652972020-08-04T16:37:00.002+02:002020-08-04T16:40:56.584+02:00Modern ruins<font face="trebuchet"><br /></font><div><font face="trebuchet">Peñarroya-Pueblonuevo, Córdoba, Spain</font></div><div><font face="trebuchet">3.8.2020, sunset</font></div><div><font face="trebuchet"><br /></font></div><div><font face="trebuchet"><br /></font></div><div class="separator" style="clear: both; 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text-align: center;"><a href="https://1.bp.blogspot.com/-qxjjkDVd07U/XylxxPAZqjI/AAAAAAAARsw/7CVspwS1B2QbA7pb0p1NSgngXnkqjvOSwCLcBGAsYHQ/s933/IMG_5799.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="933" data-original-width="700" src="https://1.bp.blogspot.com/-qxjjkDVd07U/XylxxPAZqjI/AAAAAAAARsw/7CVspwS1B2QbA7pb0p1NSgngXnkqjvOSwCLcBGAsYHQ/d/IMG_5799.jpg" /></a></div><div><br /></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://1.bp.blogspot.com/-sm2HUyCZoH8/Xylxr_r13lI/AAAAAAAARss/tjNsdq6WT3sqkY9l771hVp-gtboqgfeeACLcBGAsYHQ/s700/IMG_5809.JPG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="525" data-original-width="700" src="https://1.bp.blogspot.com/-sm2HUyCZoH8/Xylxr_r13lI/AAAAAAAARss/tjNsdq6WT3sqkY9l771hVp-gtboqgfeeACLcBGAsYHQ/d/IMG_5809.JPG" /></a></div><div><br /></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://1.bp.blogspot.com/-yn0cPaupzNk/Xylxx6NXJDI/AAAAAAAARs0/nz3WXhonAK8GKs-QaPECMFfvYNoA6miKgCLcBGAsYHQ/s933/IMG_5821.JPG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="933" data-original-width="700" src="https://1.bp.blogspot.com/-yn0cPaupzNk/Xylxx6NXJDI/AAAAAAAARs0/nz3WXhonAK8GKs-QaPECMFfvYNoA6miKgCLcBGAsYHQ/d/IMG_5821.JPG" /></a></div><div><br /></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://1.bp.blogspot.com/-_RDTY71iVCU/Xylxzbj4oXI/AAAAAAAARs4/_8W1R2bRnP8tZCpC5ZG4nRl6ABtAbIXsQCLcBGAsYHQ/s933/IMG_5826.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="933" data-original-width="700" src="https://1.bp.blogspot.com/-_RDTY71iVCU/Xylxzbj4oXI/AAAAAAAARs4/_8W1R2bRnP8tZCpC5ZG4nRl6ABtAbIXsQCLcBGAsYHQ/d/IMG_5826.jpg" /></a></div><div><br /></div>Ciudadanohttp://www.blogger.com/profile/02585968705417101183noreply@blogger.com0tag:blogger.com,1999:blog-6227981296774682435.post-85638499876613061692020-05-23T12:38:00.000+02:002020-05-23T16:16:45.688+02:00Geoparque Comarca Minera de Hidalgo (México)<div style="text-align: justify;">
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<span style="font-family: "trebuchet ms" , sans-serif;">El Geoparque Comarca Minera de Hidalgo, México, es un territorio Patrimonio de la Humanidad que conserva las huellas de cuatro siglos de producción de oro y plata por parte de españoles, británicos, norteamericanos y mexicanos. Antiguos mineros guían la visita a este increíble lugar, una especie de Cornwall latinoamericano en el centro de México. ¡Hay hasta <i>Cornish pastries</i>!</span></div>
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Ciudadanohttp://www.blogger.com/profile/02585968705417101183noreply@blogger.com0tag:blogger.com,1999:blog-6227981296774682435.post-84478968345697490862020-04-04T12:24:00.001+02:002020-08-15T18:31:02.286+02:00The Image of Railways in China: Museums, Technology and Narratives of Progress<div style="text-align: justify;">
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<span face="" style="font-family: "trebuchet ms", sans-serif;"><span style="color: #d9ead3;"><b>Autores</b>:</span> Cano Sanchiz, J. M.; Zhang, R.; Lei, L.<o:p></o:p></span></div>
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<span face="" style="font-family: "trebuchet ms", sans-serif;"><span style="color: #d9ead3;"><b>Revista</b>:</span> <i>The Historic Environment: Policy & Practice</i><o:p></o:p></span></div>
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<span face="" style="font-family: "trebuchet ms", sans-serif;"><span style="color: #d9ead3;"><b>Número</b>:</span> 11.2-3<o:p></o:p></span></div>
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<span face="" style="font-family: "trebuchet ms", sans-serif;"><b><span style="color: #d9ead3;">Año:</span> </b>2020<o:p></o:p></span></div>
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<span face="" style="font-family: "trebuchet ms", sans-serif;"><span style="color: #d9ead3;"><b>Páginas</b>:</span> 258-281<o:p></o:p></span></div>
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<tr><td class="tr-caption" style="text-align: center;">China Railway Museum - Eastern Suburb Exhibition Hall</td></tr>
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<span face="" style="font-family: "trebuchet ms", sans-serif;"><b><span style="color: #d9ead3;">ABSTRACT:</span></b> This paper analyses how the evolution of the railway sector and the changes brought by the railways are perceived and represented in the People’s Republic of China. In doing so, we focus on four railway collections (three of them belonging to the same museum) and three temporary exhibitions, among other materials. That lets us build an interpretation giving prominence to material culture and to the symbolic use of objects and images, allowing us to pursue the meanings of railway heritage and history in China. Furthermore, this analysis compares the information available in Chinese and English in the museums, exhibitions, and some media (in this last case we include Spanish too). In terms of methodology, we combine tools from archaeology, museums studies, applied linguistics and cross-cultural communication. We think this approach is innovative and also appropriate to perceive the messages created by the Chinese museum sector and sent both to national and to international audiences – ie, how China uses railway heritage and history to represent itself domestically and to the rest of the world.<o:p></o:p></span></div>
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<span face="" style="font-family: "trebuchet ms", sans-serif;"><b><span style="color: #d9ead3;">KEYWORDS:</span></b> railway museums; industrial heritage; image of industry; heritage discourses; Chinese railways; semantics.</span></div>
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<span face="" style="font-family: "trebuchet ms", sans-serif; font-size: x-large;"><b><a href="https://doi.org/10.1080/17567505.2020.1737312" target="_blank">TEXTO COMPLETO</a></b></span></div>
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Ciudadanohttp://www.blogger.com/profile/02585968705417101183noreply@blogger.com0